Five years ago
I blogged about ten of my favorite
Star Trek episodes. About
a year and a half ago, after the all too brief "season 10", I shared some fantasies about how to move forward with
The X-Files. And what I mean by "forward" involves new episodes that are oriented towards telling fun
science fiction stories.
TXF-11. Now, with
The X-Files "
season 11" scheduled to arrive in 2018, I feel the need to look back affectionately at some (11) of the most hard-core science fiction X-Files episodes.
As a Sci Fi fan, I shy away from the many horror-oriented episodes of
The X-Files. My hope is that "season 11" will be heavy on the science fiction and light on the explosions and
horror.
Rumor has it that some women will be involved as episode writers and directors in Season 11, so there might be a real chance for some positive changes.
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Dr. Bambi and Dr. Alex: can
they defend Earth against aliens? |
1. War of the Coprophages
When
The War of the Worlds depicted a Martian invasion of Earth, we were supposed to believe that the hapless Martians were being sensible: their world was "dying" so they had to move to Earth. These days, whenever the tired Hollywood alien invasion machine gets fired up again, we must tremble in fear: fear that the aliens are here for our
gold or some other absurd "reason".
Get off my lawn!
In the end, the technologically superior Martians imagined by
Wells were defeated by Earth's lowly microbes.
The core Sci Fi theme of
The X-Files is alien invasion, but we are continually encouraged to doubt what we see and to ask: are these "aliens" simply manufactured via disinformation or, possibly, by means of over-active imaginations? And, sadly, the creators of
The X-Files have no intention of providing an answer to that fundamental question.
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| Dr. Bambi's theory: UFOs are glowing insect swarms. |
Because this is
Hollywood and everything revolves around $$$: the story can't ever make sense or get tied up in a neat bundle... if it did, the cash flow would end. According to the success formula for
The X-Files, uncertainty must trump everything. Along the way, science, scientists and even the science fiction genre are mocked by Hollywood writers catering to an audience and sponsors and
Chris Carter who seem more interested in horror and vast conspiracies than science fiction.
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| Her name is Bambi? |
Alien Incompetence
For
Herbert Wells, the incompetence of the invading Martians could be "explained" by the fact that they were not
very technologically advanced and they were desperate. In
The X-Files, we are teased with the running theme that an alien "invasion" has been in progress for a
very long time. If so, how could the aliens be so incompetent that they have not yet completed their work?
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| alien probe |
What if aliens have
long been visiting Earth, but they
really are not interested in revealing themselves to Earthlings? This may have been the "thought" behind "War of the Coprophages".
Mulder finds a metallic roach that might be an alien probe. However, this "alien probe" crumbles to dust. As usual nothing definitive is learned by the end of the episode. Entertainment is the objective, not bumbling Earthlings gaining knowledge about life beyond Earth.
"War of the Coprophages" was played for laughs (and written by
Darin Morgan), so don't bother thinking too much about the plot. If aliens have actually been sending probes composed of
nanites to Earth, we'd never know about it and there would have been no episode with
Scully asking over the phone, "Her name is Bambi?"
2. Piper Maru
This episode (written by
Chris Carter) makes
nanotechnology part of the core "
mythology" of
The X-Files. At least, I'm forced to conceptualize the "black oil" as being a manifestation of alien nanotechnology. Of course, it is advanced technology that was not designed to efficiently achieve a function; it is a Hollywood gimmick designed to keep a gullible audience seated in front of screens.
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| radiation burst emitted by alien nanotechnology |
As a science fiction fan, I love the idea of advanced alien nanotechnology that allows alien beings to take control of human bodies like puppets. Of course, no matter how advanced the alien technology is, it must be flawed so that the hero of the show is not killed and there is always another $-making episode to come. And no matter how sophisticated their nanotechnology, the aliens must deploy dramatic Hollywood
ray guns radiation flashes that leave behind squads of horribly burned victims.
Fermi Paradox
Chris Carter's solution to the
Fermi Paradox is that technologically advanced aliens came to Earth to make television shows. The aliens deploy their advanced (but flawed) technology so as to keep themselves hidden (mostly) from Fox Mulder, but not hidden well enough to prevent some other bumbling humans (the extras) from seeing too much and then having to be exterminated.
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| Skinner's life is saved by a magic nose tube. |
This Sci Fi tease formula gets repetitive and old quite fast, but never faster than during "
Piper Maru" and its follow-up episode (
Apocrypha). Really, this could have been a one hour-long episode exploring the power of alien nanotechnology, but it was two back-to-back episodes larded up with tear-jerking scenes of
Skinner being shot and Scully re-living her childhood.
3. Pusher
In Hollywood, we need loud explosions and dramatic scenes, and the X-Files formula relies on never-ending misdirection and confusion, not explanations.
Telepathic powers are a classic topic in science fiction stories, but don't expect to learn anything about ESP from
The X-Files: all logic and explanations have been neatly replaced by explosions, crashes and gun fire. Boom! This is one of the many episodes from X-Files-fan-turned-show-writer,
Vince Gilligan.
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| The Mule: a mutant and his music of the mind. |
In "Pusher" there is no explanation for the perp's ability to take control of minds and make people kill themselves. Viewers are teased with the idea that a brain tumor is causing abnormal brain activity.
"
The tumor remained
operable right up until the end, but he refused to have it removed."
The Mule
Isaac Asimov teased his readers (back in the 1940s) with the idea that
The Mule was a mutant, born with powerful "mentalic" abilities. Just before his death, Asimov wrote a scene for
Forward the Foundation where telepathy was used in a courtroom to control the outcome of a criminal case. Asimov asked us to believe that there were people with telepathic powers scattered about on
Trantor, just waiting to bump into each other, combine their powers and take control of the galaxy. And Asimov told us that
Daneel (a telepathic robot) was working quietly in the background, having arranged for the formation of the
Second Foundation.
Sadly, in
The X-files, there is not the slightest glimmer of a rational account for how telepathic powers sometimes appear among the human population of Earth. We get various confused suggestions about
alien-human hybrids and advanced nanotechnology, but nothing need make sense in Hollywood.
Technology-Assisted Telepathy
It is very difficult to concoct an explanation for how biological brains could power telepathy. I know how difficult it is because I've tried. Imagine that inside human cells there might be an organelle called a "telastid" that allows for information exchange my means of "T-particles", which are a type of
hierion.
I like to imagine that aliens engineered we humans and endowed us with telastids. Maybe sometimes the power of our telastids is revealed when they start to malfunction, but but we Earthling are too technologically primitive: we don't even recognize the existence of hierions and
sedrons.
"Pusher" was designed like a
Monster of the Week episode in which Mulder has to struggle against a murderous adversary. Much more on the fun side of the spectrum, "
Sunshine Days" brought Scully to the brink of having a telepathic human who could be scientifically studied. Of course, at the end of the episode, the rug was pulled out from under us and, as usual, we learned nothing about the physical basis of human telepathy. Once during
The X-Files we were told that within human "
junk DNA" are the dormant genes that make telepathy possible, but, sadly, gene cloning has not yet been discovered by the fictional FBI in Hollywood, so we really don't know how telepathy works.
Finally, in "season 10" (
see this blog post), we were most recently teased by telepathic children who seemed to be able to combine their powers, much as depicted by Asimov in his Foundation Saga (
Wanda).
Please, sir, I want more.
Of course, once again, since this is just Hollywood and
The X-Files, nothing need be explained and nothing was learned about the imaginary science of telepathy. I suspect that telepathy will be back on our plates for Season 11.
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| non-fiction fiction |
4. From Outer Space
Moving back towards the light-hearted end of the X-Files spectrum, "
Jose Chung's From Outer Space" (written by Darin Morgan) is a comical look at pop culture UFOlogy.
I love the idea of "
non-fiction fiction", a story about aliens that is based on reality, but perceived by readers as fiction.
The X-Files also played with this concept in "
Musings of a Cigarette Smoking Man".
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| beam me up! |
Fantasy inside of delusion all wrapped up in disinformation. Humans dressed up like aliens who try to abduct two kids but who themselves get abducted by an alien. And a famous writer who is trying to write a book about it. To his credit, Mulder refuses to talk to Mr. Chung who comes across as a twitching and quirky half-alien creature himself.
This is not happening.
By the time Mr. Chung interviews Scully about a 3 month old alien abduction case, he has already given up all hope of learning the truth -Chung just wants to write a book about the case and make $$$. In her account of the investigation, Scully reports that her first guess was that good old fashioned lying, "sexual trauma" and suggestibility is what caused the two kids in the FBI case to tell tales of alien abduction.
And then the real head case (or, as Scully kindly puts it, "a fantasy-prone personality") in this case shows up, Mr. Roky Crikenson. He's a witness to the encounter with aliens and he's written down everything that happened. But he's nervous because he's been visited by
Men in Black who have given him a warning: if he tells anyone what he saw then, the MIB assure him, "you're a dead man".
The apex of the episode is when yet another witness to the abduction (yes, out in the middle of nowhere there must always be at least three witnesses to an alien abduction) describes Mulder and Scully as men in black. Mr. Blain Faulkner, a self-proclaimed UFO
nut fanatic, gives the classic X-Files eye-witness account:
"One of them was disguised as a woman, but wasn't pulling it off. Like, her hair was red but it was a little too red, you know? And the other one... the tall, lanky one... his face was so blank and expressionless. He didn't even seem human. I, I think he was a mandroid."
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| Blain and Dana getting to the truth about aliens. |
Just when both Mulder and Scully are ready to abandon the idea that this is a case about aliens, a "dead alien" turns up in town. Then it turns out to be a man in a rubber alien suit. Falkner gets to shoot video during the autopsy when Scully discovers that the "gray alien" is actually a man in a costume. Sadly for the credibility of Scully, this home video recording was leaked and edited to make it appear that she must have covered up evidence for aliens.
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Mulder and Lieutenant Schaffer
getting to the truth about aliens. |
In second place for laughs during this wacky episode, when an Air Force pilot (Lieutenant Schaffer) shows up, psychologically traumatized and wandering through town, he crafts a small mountain out of mashed potatoes, as in
Close Encounters.
In his book, Mr. Chung describes Mulder as a "ticking timebomb of insanity". We are left to believe that the entire case arose when a secret Air Force plane crashed and the towns folk were given false memories about alien abductions. The false memories were implanted by Air Force personnel using hypnosis to confuse those who saw a secret government aircraft.
5. Kill Switch
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| Ms. Nairn: cyberpunk goddess |
This episode was written by
William Gibson who exploited a natural good fit between the dark fantasy of
cyberpunk and
The X-Files. The cyberpunk genre and the stories of Gibson can be viewed as a dystopian literature written by postmodern English majors who knew nothing about computers and artificial intelligence. The plot of "
Kill Switch", like every other logic and science-defying creation of Hollywood is piled high with loud explosions in an effort to hide its lack of coherence. As a time capsule of the 1990s, it is fun to look back at "Kill Switch" and see how it tries to bamboozle the audience by throwing around terms like "upload", "internet" and "orbital platform".
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| Mulder in a cyber trap. |
We are asked to imagine that genius hackers created an artificial lifeform that evolved to consciousness within the internet. And ultimately, the freakish Ms. Nairn manages to upload her mind into the internet, apparently merging with the rogue AI.... or something.
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| ninja Scully |
The most absurd part of "Kill Switch" is when the "conscious artificial lifeform" magically snaps a virtual reality headset on Mulder and suddenly takes control of Mulder's mind. Hollywood has milked this sort of idiotic "I don't know I'm in a simulated world" nonsense for decades, without bothering to show viewers a technology that might make it believable.
Barbie Nurses
In Mulder's virtual reality experience, Scully appears as a kick-ass avenger who beats up a gang of fantasy nurses. It is not surprising, but rather sad, to feel obligated to include this episode on my list of 11 science fiction-oriented X-Files episodes. We can take this as a warning: when the folks in Hollywood are trying hardest to be hip and up-to-date, their work ages very quickly.
Artificial intelligence gone-bad is a theme that Hollywood endlessly milk$. The most recently uber-hyped entry in this category was the film
Ex Machina. The saving grace of "Kill Switch" was that the regular staff tried to lighten the story up a bit during Mulder's "dream experience".
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| 1930s Scully |
6. Triangle
Mulder goes into the Bermuda Triangle and then time travel fun begins. Sadly, since this is
The X-Files, we never really know if this is a story about actual time travel or just some sort of dream that Mulder has.
Inexplicably, unless this is Mulder's dream, an ocean liner from the 1930s ("trapped" in the Triangle) has passengers who look just like Scully (except for her hideous 1930s hair style) and Mulder's nemesis from the 1990s, the evil
CSM.
After repeatedly getting the crap beaten out of him and almost drowning (consolation: he gets to kiss Scully), Mulder magically returns from the Bermuda Triangle and he can now verbally express his love for Scully, making this nautical episode a
shippers delight.
Could what Mulder experiences during this episode possibly be some sort of alternate
Reality in which Scully lives as a secret agent in the 1930's? For me, it is fun to imagine that it might be possible for Mulder to get a glimpse of an alternate Reality.
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| time twisted |
The X-Files did sometimes play with the idea that time is more flexible than we like to believe. Two examples of X-Files episodes that explored flexible time flow are #7 and #8 on my list, below.
7. Dreamland
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| Let's do the time warp, again. |
"
Dreamland" was actually a two-part episode, but for my list I'm only counting it as one episode. Here, not only was the flow of time altered for our viewing pleasure, but Mulder's mind was exchanged with that of an actual "Man in Black", a secret agent at Area 51 who had the task of creating cover stories to hide advanced Air Force aircraft that made use of alien technology.
Backstory. The government has been using secretly held alien technology since it was "captured" in the 1940s. An anti-gravity equipped aircraft buzzes over Mulder and suddenly he finds his consciousness swapped with that of an Area 51 employee (Morris Fletcher).
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| The Fletcher kitchen. |
Comedy ensues when Mulder has to deal with Fletcher's family and Morris (now inside Mulder's body) decides to take full advantage of being inside the FBI (and even inside Skinner's cute secretary). Scully finally figures out that this philandering "Mulder" is no longer really Mulder, but is there any way to correct/reverse this body swap?
Slingshot effect
We are supposed to believe that the alien technology of the flying machine briefly malfunctioned and caused a space-time warp. Then magically, the time warp "snaps back" and Fox and Morris are returned to their correct bodies.
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| Lucrative mind transfer. |
Mind transfer. I've
previously described mind transfer as probably the single most lucrative Sci Fi plot device ever deployed by Hollywood. Asimov used to describe time travel as
an irresistible science fiction plot device, even when we know that time travel makes no scientific sense. Similarly, it is easy for people to imagine minds leaping from body to body, even if that is a scientific impossibility. In "Dreamland", we must go along for the laughs and not think too much about the implausibility of it all.
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| Pam is sacrificed so that Mulder can live. |
8. Monday
The X-Files does
Groundhog Day. There is something charming about the idea that the flow of time might not always be linear, that we might be able to keep repeating an event until we "get it right". In "Monday", Mulder seems to be teetering on the edge of being subtracted from the world by a crazy bank robber. But, strangely, not only does the day of his death keep repeating, he gradually begins to remember some events from previous turns of the time loop.
"...who's to say that if you
did rewind it and start over again that it wouldn't end up exactly the same
way?" -Scully
Eventually, a friend of the bank robber (Pam) sacrifices her own life, allowing Mulder to live and time to resume its march into the future. One interpretation of this plot is that Pam needs Mulder so that she can find a way to stop the crazed bank robber before he kills anyone. Maybe it is Mulder's openness to the unconventional that allows him to begin to notice that he is in a time loop?
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| bank robber |
Strange choice. If you were going to repeatedly "rewind" the same scene for Scully, why would you have her in the most boring FBI meeting ever? I'd like a rewind of this episode so it could be crafted to depict Scully repeatedly doing something more interesting than attending a long, idiotic meeting.
And while I'm playing Groundhog with "Monday"... how about a more interesting perp? The bank robber is portrayed as a complete incompetent, but at the same time he was able to assemble a bank-blasting bomb with such stealth that even informing the police about his plans before the robbery could not stop him?
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| Baseball-loving alien. |
9. The Unnatural
This episode of
The X-Files reminds me of
Star Trek IV: The Voyage Home. In that movie,
Nimoy was able to to take a rather tired Sci Fi franchise and propel it into fun new terrain: going back to 20th century Earth but still going where Star Trek had not gone before.
X-Files star David Duchovny both wrote and directed "The Natural", crafting a modern fairy tale set comfortably in the fictional universe of
The X-Files.
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| Scene 1: nonfat
tofutti rice dreamsicle |
I like to imagine that advanced nanotechnology is what gave the aliens an ability to morph and take on human form. With technology that advanced, maybe it would be possible to transform an alien into
exact human form, right down to the correct color of blood. I've never understood the whole "human-alien hybrid" idea lurking in
The X-Files, but if aliens were going to start living on Earth by making use of hybrid bodies then why not show off their high-tech biological alterations abilities to full effect?
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| Shut up Mulder and play ball |
Both the starting scene of "The Unnatural" and the final scene with Scully and Mulder hitting baseballs nicely capture the working relationship of the two agents.
10. Field Trip
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Will this be the fate of
Scully and Mulder? |
This is the last in a run of five impressive Season Six Sci Fi episodes (#6-10 on my list). I like the idea that Earth might long ago have been "infected" by alien nanites. After millions of years of inactivity, might defective alien nanites activate and take the form of "black oil" or something more integrated into Earth's ecosystem, like a mysterious fungus?
Given the other powers attributed to alien nanite technology in
The X-Files, why not assume that alien "mind control" nanites could put humans into a dream-like state and hold them there long enough to be "digested". "Field Trip" was a monster of the week episode, but it could have been linked into the show's long-running alien invasion mythology.
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| Dr. Scully's struggle |
11. My Struggle II
Mulder's struggle, Scully's struggle, Chris Carter's struggle to remain relevant, our struggle as Sci Fi fans to find entertainment in Hollywood productions. Well, you know it ain't easy. I've previously complained about the low quality of the science in
The X-files, but I have to give Chris Carter and the rest of the X-Files crew credit for trying to include some science fiction in "season 10". My main motivation for placing "
My Struggle II" in this list of 11 science fiction episodes is built upon hope that between the end of season 10 and the start of season 11, Carter may have had time to shore up the crumbling walls of the "alien DNA" plot hole that he previously dug.
Related:
one month until Season 11
Next:
celebrating the life of Jack Vance
Kirth and Alice first began to understand that Treesong was not biologically normal when they read his autobiographical Book of Dreams.
