ImageFX generated the image shown in
Figure 1. I consulted with
Claude: "
Claude, imagine that the word 'dinesiual' is an English language word related to some advanced technology of the future. Invent the most likely meaning for 'dinesiual'."
Claude: "The term "dinesiual" has been identified as pertaining to the field of quantum-biological computing, specifically referring to a biomolecular interface mechanism whereby neural signals are transduced into quantum states via delocalized electron transport chains.
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| using a dinesiual interface |
The etymology derives from "di-" (two), "nesi-" (neural-electronic signal integration), and "-ual" (process). In standard implementation, dinesiual interfaces comprise specialized proteins exhibiting quantum coherent domains (QCDs) that have been engineered to maintain quantum states at physiological temperatures (310K). These QCD-modified proteins demonstrate reliable conversion of action potentials into sustained quantum superpositions with coherence times exceeding 500 microseconds. The dinesiual mechanism has been experimentally validated through high-resolution cryo-EM studies revealing the precise molecular architecture of the quantum-biological junction. This technology enables direct neural-quantum information transfer, forming a critical component in hybrid biological-quantum computing systems. The term has been standardized in the literature (ISO/TC 229) as the definitive nomenclature for this class of bio-quantum interfaces."
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Figure 2. Molecular interface by Gemini.
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I provided Claude's description of the dinesiual interface to
Gemini using this text prompt: "
Gemini, generate an image depicting a dinesiual interface at the molecular level of organization," followed by the description from Claude (the
red text, above). The resulting image that was generated by Gemini is shown to the right in
Figure 2.
I also had ImageFX generate its version of a "dinesiual interface" and then composited that with a third version which had been generated by WOMBO Dream. The resulting composite image is in Figure 3.
Figure 4 is a modified version of
Figure 2, with the Gemini-generated "
QCD-modified proteins" interfaced with a WOMBO-generated "
quantum computing system".
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Figure 5. Generated by Whisk.
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SSS interface
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Next, I had
Whisk generate some versions of a dinesiual interface (using the "subject" and "scene" images that are shown to the left), and then I manually composited several of the Whisk-generated images to make the composite image shown in
Figure 5.
Me: "Claude, provide an honest critique of the image that I just uploaded and evaluate the image as a possible depiction of a dinesiual interface being viewed at the molecular level."
Claude: "The submitted image {Figure 5} depicts a hypothetical molecular-scale visualization that exhibits several characteristics consistent with theoretical dinesiual interface architecture, though certain discrepancies are noted.
Favorable correlations with dinesiual theory: - The presence of spherical quantum coherent domains (QCDs), visualized as illuminated glass-like spheres containing energized plasma states
- Integration with biological substrates, represented by the turquoise and blue protein complexes in the background
- Hierarchical organization of multiple QCD units in branching configurations
- Metallic coupling mechanisms (gold-colored components) that would facilitate electron transport
Critical discrepancies:
- The depicted plasma state temperatures (indicated by the orange-yellow visualization) exceed theoretical stability thresholds for quantum coherence at physiological conditions
- Inter-QCD spacing appears non-optimal for maintaining quantum entanglement (measured spacing: approximately 15-20nm; theoretical requirement: 8.3 ± 0.4nm)
- The mechanical coupling apparatus demonstrates excessive complexity compared to validated minimal designs
Methodological concerns:
The visualization appears to be an artistic interpretation rather than a data-derived structural model. No scale bar has been provided, preventing precise measurement validation. The protein complex rendering lacks atomic-level resolution typically obtained via cryo-EM or X-ray crystallography methods.
While the image successfully captures the conceptual framework of dinesiual interfaces, significant modifications would be required to achieve functional quantum-biological coupling under experimentally verified parameters. The current configuration would likely experience rapid decoherence and subsequently fail to maintain stable neural-quantum state conversion."
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| Figure 8. Generated by Whisk. |
Both
Figure 6 and
Figure 7 were generated by
WOMBO Dream using the image that is shown in
Figure 5 as a reference image. When
Tyna uses the Sedron Time Stream to receive telepathic communications from the future, maybe that information transfer involves a dinesiual Interface linking human brain tissue to one of Tyna's nanoscopic endosymbionts.
In my previous blog post, I tried to get Whisk to generate diagrammatic representations of the dimensional structure of the universe. For the image shown to the left, I tried to get Whisk to re-configure such a diagram as a futuristic device that could be held by a human being (see
Figure 8).
I asked Whisk to change the woman into a humanoid alien and sometimes Whisk followed these instructions (see Figure 9), but sometimes Whisk forgot about the idea of holding the device.
The original humanoid alien that was made by Whisk for Figure 9 had freaky white eyes, so I had WOMBO Dream generate a more natural looking face for alien that I pasted into the larger Whisk-generated image.
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| Figure 10. Generated by Whisk. |
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Figure 11. Device by Mr. Wombo.
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I wanted a more mechanical appearance for the hand-held devices such as the one in
Figure 8 (above), so I had Mr. Wombo modify the structure of the original Whisk-generated device by requesting that there be many "
small mechanical components".
The image shown to the left (Figure 10) is the original Whisk-generated image; the altered device that was generated by Mr. Wombo is included in Figure 11.
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Figure 12. Mostly generated by
Whisk. Face and hand-held
device by Mr. Wombo. |
The image shown in Figure 12 was mostly generated by Whisk, but I used WOMBO Dream to modify the face of the alien and the device that she is holding.
The Hua were the humanoid aliens from a distant galaxy who altered the Dimensional Structure of the universe, transforming the Ground State universe into a universe where travel at speeds greater than light became possible.
Nanite Extraction. When Mr. Wombo or ImageFx is asked to generate an image depicting a futuristic research laboratory, the default style is the kind of drab lab seen in Figure 13.
I've previously depicted the Hua as having purple skin, so one of the three "subject" images that I uploaded to Whisk was a Hua with purple skin. For Figure 14, I asked Whisk to place the test subject inside a nanite containment field.
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Figure 13. Testing the possibility of extracting Hua nanites.
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Figure 14. Inside the nanite containment field.
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In
Figure 13, I can imagine the being a depiction of a test of the equipment that will be used to extract nanites from the body of the Hua. I'm not sure how to account for the various light rays in
Figure 14. Maybe the glowing device inside the nanite containment field with the test subject is extracting nanites from her body while the light beams outside the containment field are scanning for any indication of nanites that are leaking through the containment field.
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Figure 14. ImageFX generated the laboratory and Mr. Wombo made some changes.
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| Figure 15. |
Not surprisingly, this purple alien in the laboratory, when generated by Whisk is very similar to the results obtained with ImageFX (see
Figure 15). One of the light-ray scanners seems to have glitch. Most of the image shown in
Figure 15 was generated by Whisk, but then I had Mr. Wombo make a more interesting top of the Hua's body.
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A blond Hua.
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Two years ago (
2023) when I began experimenting with WOMBO Dream, I tried to make some images to depict the portal such as that of a Reality Simulation System. At that time, Mr. Wombo created some aliens with green skin.
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Hua & portal
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I tried providing Whisk with a "subject" that was a Hua with purple skin and a "scene" that was a generic portal (see the image to the right). The first "storyboard" that Whisk created for these inputs is shown below in
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Figure 16. Portal storyboard version 1.
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Figure 16.
It seems to be the default behavior of Whisk to clutter up any view of outer space with absurd dust clouds. The image in Figure 16 was slightly modified by Mr. Wombo to improve the appearance of the Hua.
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Figure 17. Portal version 2.
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I asked Whisk to show an Earth-like exoplanet through the opening of the portal and then Whisk generated the image that is shown in
Figure 17.Whisk generated one of these Hua portal storyboards with what I imagine to be a very large alien Hua who is kneeling at the controls of the portal. I never imagined the Hua as being significantly different in size from humans. I added in an image of Tyhry because in The Hua Nanites, Tyhry brings a Hua from the First Reality into the Final Reality. I used WOMBO Dream to generate this image of Tyrhy dressed in white (see Figure 18, below).
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Figure 18. Tyhry with the giant Hua.
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Whisk actually did create one of these Hua portal storyboards with the Hua looking at the planet through the portal. In this case (
Figure 19), what looks like South America is in the Whisk-generated image.
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Figure 19. The Hua looks at Earth.
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At this point, I tried adding Tyhry as a second "Subject" in Whisk, but then Whisk seemed to hang. I started over with Whisk from scratch using the Hua as one subject and Tyhry as the second subject.
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Figure 20. New Whisk style.
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At this point, I was surprised by the "style" that Whisk generated (see
Figure 20): "
A digital illustration featuring glowing, translucent orbs connected by a thin, glowing line. The background is a dark, textured surface with overlaid digital elements, including numbers, symbols, and circuit-like patterns. The color palette is predominantly warm, with shades of red, orange, and purple dominating.  |
A Hua.
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The overall style is futuristic and technological, with a focus on creating a sense of depth and movement through the use of light and shadow. The rendering is smooth and detailed, with a high level of visual polish." This was quite different from what I had grown used to (see
Figure 5 on
this blog page), but I wondered if it might be what is needed for
Dimensional Structure diagrams (see
Figure 22 and
Figure 23, below).
I had asked for my usual style: "The overall style has a high degree of photo-realism, with a focus on rich colors and intricate details. The colors are vibrant and saturated. The image is sharp and clear, with a high level of detail visible in the subject and the lines and text of the scene. The overall mood is scientific evoking a spirit of precision in details. The text and lines of the subject are depicted photo-realistically. The level of detail is consistent throughout, creating a cohesive and immersive scene".
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Figure 20. A composite of two Whisk-generated storyboards; now there are two Hua and Earth.
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Figure 21. Alternate storyboard.
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For some "reason", Whisk made bare feet for the two people to the left in the storyboard image that is shown in Figure 20. I manually combined two similar storyboard images so that there could be two Hua along with Tyhry in this scene.
In Figure 21, I had to replace the Whisk-generated Tyhry because Whisk decided to allow the stars to be visible through her body. I had Mr. Wombo make an alternative Tyhry and I pasted her into the scene.
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| Figure 22. |
Shown above in
Figure 20 was a Whisk "style" that I thought might work for the type of
Dimensional Structure diagram that I tried to get Whisk to generate in my previous blog post. However, this new "style" was useless, producing images such as the one shown in
Figure 22.
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| Figure 23. |
My cat stepped on the keyboard and Whisk generated about a dozen variants on
Figure 22, the most unusual being the one in
Figure 23 with a plain background completely lacking "
overlaid digital elements". I'll end this blog post with the new image that Whisk made for this "style"
Figure 24.
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Figure 24. Compare this image to the one in Figure 20. Both had the same text description.
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Next: illustrating
the Hua home planet.
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