Some
science fiction writers become the darling of a book publisher. Others briefly flare up like a nova and then just fade away.
Robert A. Heinlein is a good example of a science fiction grand master who is impossible for a science fiction fan to avoid.
Along with
Clarke and
Asimov, Heinlein was among the first science fiction authors whose work I read. Heinlein taught me a valuable lesson: to avoid
fictional politics.
When I was in my "
golden age" of discovering science fiction, I was subjected to book covers such as that on the Berkley Medallion edition of
Time Enough for Love (
image to the left). Later, Heinlein's novels were re-issued with new covers such as the one shown to the right.
A Sci Fi Nova
My example of a science fiction nova is
M. A. Foster. Michael Anthony Foster is probably the only science fiction author for whom I purchased every published novel.
Today I was surprised to discover that a German language edition of
The Gameplayers of Zan was published using the same cove art as had already been used for Heinlein's
Time Enough for Love.
Foster imagined a future in which a human variant,
the Ler, was crafted and sent forth into the universe. Foster was one of the many science fiction authors who came to my attention by way of
DAW Books which began publishing just when I reached my
personal golden age of science fiction.
In the end, Foster's novels helped drive me away from science fiction that has even a tinge of fantasy. I remember one scene in the Ler trilogy ( I have not read the books for decades) in which a toy made from wires is used to capture the mind of one of the characters. As I recall, the wire toy is then blasted into atoms in order to make sure that the extracted mind could not return to its body. This kind of silliness eventually prompted me to toss all my M. A. Foster books into the trash. Still, for a 12-year-old they were quite an adventure.
Of course, Carl Lundgren's painting has nothing to do with the Ler or the "game players". In Foster's novel, the Ler are masters of a mathematically complex game. Eventually the Ler escape from the confines of Earth and spread to other planets of distant star systems. Genetically engineered humans, mathematical games, interstellar travel... tinged with a dose of 1970s pop culture metaphysics.
The cover for the
Hamlyn Paperbacks edition of
The Gapeplayers of Zan shows an interesting morphological feature of the Ler: they have two thumbs on each hand.
What I liked best about Ler biology was their greatly expanded period of pre-adulthood. Our own unique human brains show evidence of
delayed brain development and it makes sense that an engineered human variant might be pushed even further in that direction.
Related Reading: review of Foster's Sci Fi by Jo Walton
The End; according to Wikipedia, Foster died November 14, 2020.
and A. E. van Vogt's mutants from 1940: the Slan
Next: Babylon
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