Showing posts with label Reginal. Show all posts
Showing posts with label Reginal. Show all posts

Jun 6, 2014

Exode Cover Art

Version 1.0 Exode book cover.
I'm continuing the process of updating my cover art for the science fiction novels in my copyleft Exode Trilogy. The lower panel of the original book cover for Exode showed Parthney and his megepi at Demon Lodge on the planet Hemmal. Towards the top, I tried to depict Earth and some planets of the galactic core. The catch phrase for Parthney's Exode business while he is stationed on Earth is "Change your world".

For the version 2.0 cover, I wanted to change the appearance of Ario and D'hab so as to give them a slightly non-human look. Since some models and photographers object to splicing and modifying their photos, I found two stock images from Cathleen Tarawhiti that I could alter to make the model appear slightly alien.

Katrina (background)
For anyone making non-commercial use of her stock images, Cathleen provides these instructions at deviantART, "NO restrictions, just credit me and leave a message here".

For my character D'hab, I started with a photograph of Toni Moore. I modified her  hair, eyes and ear to make a slightly alien look.

For Ario, I used an image of Katrina Chadwick. I experimented with altering the clothing and background (see the image to the left), but then decided to keep those as they were in the version 1.0 cover. In Exode, besides himself, the members of Parthney's megepi are all pek, so they are capable of morphing their facial features into any convenient form. In this part of the story, the pek have fun befuddling Parthney by adopting whimsical "looks".

source image (left), Ario (right)
source image (left), D'hab (right)
In this point in the story, Parthney is going along with Reginal's plan of trying to not upset the Prelands with his unconventional music. It is unusual for pek to participate as kanen, so they perform while "in disguise". Parthney has never seen a Preland, so when the pek say they are adopting the facial features of a Preland, he has to trust them.

Version 2.0 Exode book cover.
See the image credits on this page.
The other member of the megepi is Reginal. Reginal functions as a bothet, so for her disguise she has adopted a female human form. I used DAZ Studio software to render the images of Reginal and Parthney.

Changing Worlds
The image of Earth is a public domain image from NASA. The other two planets are in the galactic core, the part of the galaxy where the pek have little trouble finding suitable planets for their efforts to develop new types of humans. These planets are from images that came up in Google's image search for works that are free to reuse with modification. Both were downloaded from Wikimedia Commons (Noviomagus Celestia, HD 85512 b (Artists's impression)).

Parthney does not realize that he is also in disguise. His biological mother was Trysta, and Asterothrope from the far future. However, during his embryonic development, Parthney's morphological structure was altered so as to conform to a typical human form.

Next: new cover art for Foundations of Eternity.

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Jan 20, 2013

Time Warp

The events in Chapter One of Exode all take place within a 24 hour period, the day when Parthney abandons his life on the world where he was born, Hemmal. Chapter Two describes Parthney's journey from Hemmal to the nearby planet Oib, a trip that only takes a couple of days. Counted in Earth time, Parthney is 18 years old when he leaves Hemmal.

Chapter Three of Exode encompasses four years of Parthney's life, the years during which he is trained for his mission to Earth. Jack Vance's novel Araminta Station starts with a similar chronology. The main character, Glawen, is 16 years old at the start of the story. The first two chapters (147 pages) describe Araminta Station on the planet Cadwal as well as Glawen's budding romance with Sessily Veder and her mysterious disappearance. The first six pages of Chapter III outline the next three years of Glawen's life: time spent by Glawen in his studies at the Araminta Station Lyceum and in training as a cadet in the local police force.

Gwyned Iwedon
As is the case for the first section of Chapter III in Araminta Station, the first pages of Chapter Three in Exode must mesh with the events that brought the end of the "innocent years" of the protagonist's early life. Parthney arrives at Lendhalen, the secret base of the Buld revolutionaries who have liberated themselves from their pek masters. Most of the elements of Pathney's past life begin to fade away, including his rather bumbling romantic adventures with Reginal, Muchlo, and Pla'va. At Lendhalen, Leymaygn and Gwyned teach Parthney to read and write and also how to use musical notation. Parthney is fascinated by the musical instruments of Earth, but repulsed by the more dreary aspects of life on Earth: hunger, disease, crime and war.

After Parthney has lived for three years at Lendhalen he is seriously considering the possibility of living out the rest of his life there and never going to Earth. The co-directors of Lendhalen, Pla'mak and Pla'kao, must reveal more than they would like to Parthney about the dangers facing the people of Earth. It is 1970, Earth is struggling with an exploding population, pollution, and a nuclear arms race.

Earth
For seven million years the Overseers have guided the course of primate evolution on Earth. The people of Earth have never known that alien visitors arrived on Earth long ago, but now a Buld spaceship is nearing Earth after a 15,000 year long journey from the Galactic Core. Pla'mak and Pla'kao inform Parthney that if the Buld make contact with the Earthlings then the Overseers might abandon their management of Earth. Parthney is led to wonder: could humanity survive on its own or might human civilization self-destruct, as happened to the alien Fru'wu? By explaining that events on Earth are reaching a critical juncture Pla'mak and Pla'kao manage to rekindle Parthney's desire to go to Earth.

At the end of Chapter Three, Parthney must say goodby to Gwyned. He likes the idea she return with him to Earth where they could work together as Interventionist agents, but she is left behind at Lendhalen, still struggling to make sense of the alien technology that has been given to the Buld. Gwyned makes Parthney promise that if he ever has the chance to liberate someone like herself from Earth he will do so, even if he would personally prefer to do otherwise. She offers her opinion, "Earth is giant mistake, a world of the half-living...you owe it to yourself, for the sake of your own sanity, to aid anyone who wants to get out."

So Chapter Three must have two lengthy time warps, one jumping over most of Pathney's first three years at Lendhalen and another over his final phase of training. Parthney matures dramatically and goes through many changes during his years living at Lendhalen. The care-free days of his youth are put behind him and he leaves for Earth with many doubts and great apprehension, having been informed that he has a good chance of being recognized and captured by Overseers soon after his arrival on Earth. So great is that risk that he is not even told how he will reach Earth so that he cannot reveal that secret if he is identified as an Interventionist agent and captured.

Poster
The Exode poster, above, is having some fun with an old James Bond poster (image to the right). Since Parthney arrives on Earth from Oib (so he thinks; he never knows the true location of the Lendhalen training base) I put in an image of Earth. The woman at the computer terminal is meant to be Hana. Like Gwyned, Hana is a physicist. Parthney uses the name "Henry Montpellier" during some of his time on Earth, in particular, at the time when he reveals his true identity to Hana and then teleports her away from Earth.

In the original poster, I suppose that the woman behind Bond is meant to be Daniela Bianchi, in the role of a soviet intelligence agent who is used to lure Bond into a trap. In Exode, Parthney must duel with an Overseer who lives on Earth using the name Belinda Tement. Belinda's search for the source of new gene combinations that have been appearing on Earth leads her to Hana's son. Belinda befriends Hana and ultimately captures Parthney, taking him to the Observer Base on the Moon. The woman standing in the background beside Parthney is meant to be Overseer Tement.

Dec 28, 2012

Exode Cover

Ario, Reginal, Parthney and D'hab
With a tip of my hat to the traditions of print books, I finally started making a "book cover" for Exode. At the bottom of the front cover is Parthney's megepi in performance at Demon Lodge (see the image to the right).

From left to right, the kanen are Ario, Reginal, Parthney and D'hab. Except for Parthney, who is human, the kanen are pek: artificial lifeforms that adopt humanoid form. Their instruments are "homemade" by Parthney with the connivance of the pek and Pathney's friend, Yandrey, a member of the Buld Clan. For this performance, Ario and Reginal are shown in the form of typical Bulds, hermaphroditic humanoids who are neither male or female; they typically have the appearance of girls or young women. Reginal, a bothet, has adopted the form of a human female.

For the upper part of the front cover I used an image that I made last summer, but with one modification. In Chapter One of Exode,  a performance by Parthney's megepi is recorded and transmitted to the Prelands. During the performance a globe-shaped holographic recording device floats above the stage. I replaced the "O" in "EXODE" with that artificial globe.

The two different densities of stars in the star fields are meant to suggest different locations in the galaxy such as the position of Earth and the positions of other Earth-like planets located in the galactic core. For example, Hemmal, the planet where Parthney was born, is located much closer to the center of the galaxy than is Earth.

Instruments of the quartet
Ario is shown with an instrument that was designed to appear something like a ringed planet. This is a "wind" instrument, but it is not powered by the breath of the player. These instruments are all composed of nanoscopic components (nanites). Traditionally, the only instrument used in Preland musical performances is a simple drum. By tradition, Preland music is performed by a group of singers who must sing the lines of epic poems. On Hemmal, members of the Buld Clan sing these musical performances for the Prelands who are genetically modified humans who have almost completely lost the use of human speech.

Ario: Human vs. Preland
Reginal and Parthney are shown holding what Yandrey calls "Buld harps" that function similar to stringed instruments.

D'hab's instrument has a spiral array of many color-coded and pressure-sensitive contacts that function to produce sounds that are like those of several Earthly percussion instruments ranging from pianos to xylophone to drum sets. 

I'm still trying to decide if I should show D'hab and Ario with the typical Preland facial features. On Hemmal, most of the pek who live among the Buld adopt the distinctive appearance of the Prelands, particularly a small mouth and small jaw.

D'hab: Human vs. Preland
The pek are composed of nanite components and they can effortlessly morph their features. For this one occasion, with the performance being transmitted to the Prelands, Parthney attempts to be less provocative than usual. Parthney might ask Ario and D'hab to adopt Buld facial features so that the Prelands will not notice that pek are performing music. Ario and D'hab are positioned to the front of the stage so they are right under the stage lights and they stand on small platforms. On Hemmal, males and females are very rare mutants, the "false" Buld, and the Prelands would not be comfortable seeing humans so Parthney and Reginal position themselves to the back of the stage.

Change Your World
The "change your world" catch phrase is used by Parthney when he is living on Earth as an Interventionist agent. One of the Earthlings who he helps "change worlds" is Hana who leaves Earth and then starts to explore the Genesaunt civilization that exists on thousands of planets located in the galactic core. Hana finally ends up living on a distant planet in the Andromeda galaxy, but her son Izhiun later visits Earth.

Parthney's personal "exode" starts with the musical performance depicted on the cover. He begins the performance with the intention that his megepi will provide the audience with an unusual rendition of one of the traditional Preland epic poems, but only unusual because they will be using musical instruments. However, for the first time in his life the nanites in his brain are providing him with the type of interpersonal sensory feedback that "true" Buld continuously experience on Hemmal. Parthney cannot anticipate the consequences of there being another "false" Buld hidden in the audience. By the end of the performance Parthney is back to his usual tricks, improvising and creating his own personal interpretation of The Orchard of Maponus. By the time the megepi walks off stage it is obvious to all present that Parthney has certainly given a performance that will offend the Prelands. The next day, Parthney is invited to depart Hemmal and he starts his journey to the stars.

Dec 20, 2012

Northern Cuisine

I've been crafting the last few characters for inclusion in Chapter One of Exode. Mentioned previously, Yandrey is a 15,000 year old hermaphroditic Buld. In search of an image of Yandrey to hold in my mind, I went online and "googled" away, ultimately finding a young model who looks not at all like we might normally picture as an ancient individual, but I was thinking that almost all Buld look like young adults. Why "almost"?

At first, I entertained the possibility that there would be a fairly conventional way to expand the Buld population, so there would be a way for new Buld to grow through childhood and adolescence. However, the more I think about it, the less I want to make room in Exode for Buld children. Then where do the new Buld come from when the Buld Clan must be increased in number? I've decided that the pek have a special Temple ceremony during which new Buld adult can be "created from scratch" using a Buld conceptus and a nanite-based "template" for the Buld body form. I like the idea that the Buld religion includes the opportunity for such acts of creation. There need be no Buld children in the conventional sense. However, while new Buld individuals will have an adult body, they will have minds that are mostly blank, child-like and ready to learn the ways of their world.

the challenge of growing food on a spaceship
So much for the "true" Buld...but what of the "false" Buld? False Buld, such a the main character of Exode, Parthney, lack the special chromosome that distinguishes the "true" Buld from Earthlings. After being taken from the body of his mother at about 50 days of life*, Parthney was gestated inside a pek surrogate mother and then raised at a special school by a small community of pek. In Chapter One, at the start of Exode, Parthney is a young adult who has been out of school and exploring his world for a few years.

How diverse a biological group is the Buld Clan and what is their evolutionary history? In thinking about this question, I'm reminded of the people in Asimov's imagined Galactic Empire.

synthetic meat
70 years ago the first stories in what was to become Asimov's Foundation Series were published. Asimov imagined a galaxy-spanning Empire of 25,000,000 Earth-like worlds with Trantor as the capitol. That Empire was in collapse and hope for galactic civilization's recovery from collapse rested with Hari Seldon's plan for two Foundations, established at the extreme "opposite" ends of the galaxy as dictated by psychohistorical necessity. 45 years later Asimov finally got around to writing the story of how Hari Seldon came to Trantor and began his efforts to create a useful science of Psychohistory.

eastern
southern
Like many science fiction stories abut the future, the Foundation stories were soon overtaken by the rapid pace of scientific and technological reality, but there are also some interesting gems in the stories, examples of where Asimov's imagination was ahead of its time. In Prelude to Foundation, written long before any of us could "google" the internet and search electronically for information, one of the characters is described as "computering" Hari Seldon in order to learn about his work.

northern Neanderthal
As an example of where Asimov's imagination failed, although Prelude to Foundation was written long after other science fiction stories like Star Trek depicted people in the future as being constantly in communication (by means of electronic communications devices), poor Hari Seldon becomes lost on Trantor, a planet with 40,000,000,000 other people, and the plot depends on Seldon having no means to communicate with anyone or call for help!

Also in Prelude to Foundation, Asimov addressed the issue of there being different types of residents on Trantor: what were known as Easterners, Westerners and Southerners. Seldon lives on Trantor at a time 20,000 years in our future and the telepathic robot Daneel has been careful to make humanity forget about Earth, so Hari must wonder why there are no "Northerners". Asimov wanted to show us that there were distinct populations such as "Easterners" on Trantor. I understad that Asimov needed to show the Galactic Empire in decline, but why did Asimov decide to depict humanity 20,000 years in our future as still being plagued by racial bigotry?

Human Evolution
What has produced the most obvious human phenotypic variations over the course of the past 100,000 years? Current thinking suggests that we are naked apes that spread across the world from an origin in Africa, modern humans have been subject to natural selection for different patterns of pigmentation and other minor genetic changes that set various human populations apart in terms of their superficial appearance.

In contrast to Asimov's vision of a phenotypically diverse future human population, Larry Niven's novel Ringworld suggested that about a thousand years in our future, due to easy travel, all of the original distinctive varieties of humans will have exchanged their genes and the people of Earth will have become a rather homogenous phenotypic mixture resulting from the recombination of all humanity's genes. When I first read the Foundation Trilogy it was in the form of paperback editions of the novels as published by Avon. I found the human figures depicted in the cover art on those editions puzzling and disturbing. For decades, with those Avon Foundation novels on my book shelf, I guessed that maybe the artist imagined an efficient gene mixing process for the people of Asimov's Galactic Empire...with no need for protection from Earth's equatorial sun light, maybe humanity in the future had mostly lost its dark pigmentation. What I found disturbing in those cover illustrations was that the depicted people seemed somehow alien.

I've been imagining that the people of Hemmal are all lightly pigmented. The "false" Buld from Hemmal (such as Parthney) are intended to travel to Earth and function as Interventionist agents in England or English-speaking nations. However, the Buld Clan originated as a group of Genesaunts who traveled between the many human-settled worlds of the galactic core. There needs to be significant diversity in Buld appearance spanning the full range of phenotypic diversity as found among Earthlings. When Parthney leaves Hemmal he travels to the nearby world Oib and meets some Buld who, in contrast to the inhabitants of Hemmal, were not intentionally designed to be genetically similar to the Earthlings who call themselves Englishmen. What should such Buld look like? Surely some of the humans on Oib must be more darkly pigmented than the pale folk of Hemmal.

There is some evidence that darkly pigmented human skin has evolved as an adaptation of "naked apes" to strong sunlight. If proto-human apes with light skin and dark hair were originally taken away from Earth about 7 million years ago and domesticated by the pek on worlds such as Hemmal then what would the first humans have looked like? Would phenotypic traits such as hair and skin pigmentation of the early Buld depend on the specific planetary environment where the first humans were crafted by the pek or would the artificial cultural conditions imposed by the pek be unlikely to constrain phenotypic variable such as skin pigmentation?

Food - another environmental wild card
On Earth, human evolution has been constrained by the need to obtain food from natural sources. What might happen to human evolution under conditions where people had an artificial source of food?

Back when Asimov was dreaming up the first Foundation stories it was hard to imagine how it might be possible to feed a large world population. And what about feeding people in spaceships or space stations where you can't easily grow natural food plants?

Asimov developed the idea that it might become possible (and efficient) to grow large amounts of yeast and process those cultured cells into food for billions of people. In Prelude to Foundation, this idea of manufactured food was developed extensively as an aspect of the strange culture that Hari Seldon finds in the "Mycogen Sector" of Trantor. For the proper development of Psychohistory, it is important that Seldon experience the cultural diversity of the various sectors of Trantor. Asimov depicted the people of Mycogen as being masters of manufacturing palatable synthetic food in their underground factories. Given sufficiently advanced technology, just how exotic might synthetic food become in the future?

Reginal the bothet, Parthney and Muchlo
In Exode, humans have been crafted by the pek under artificial conditions on worlds of the galactic core. For the past 7 million years there has been gene flow from these worlds back to Earth resulting in we Earthlings. On worlds such as Hemmal, the Buld continue to live under artificial conditions. I've decided that the Prelands are fed by artificial means as part of religious rituals in their temples. The pek have at their command swarms of nanoscopic devices. During Preland temple rituals food is shuttled into the bodies of the Prelands in the form of a stream of microscopic particles. Most Prelands believe that eating bulk food is nothing more than the undesirable predicament of primitive creatures. In contrast, Parthney, as a "false" Buld, enjoys eating "real food" and he insists that the temple pek provide him with food that he can eat "the old fashioned way". One consequence of the dietary practices of the Prelands is that they have small jaws and retain their "baby teeth" into adulthood. As mentioned previously, the pek who live among the Buld on Hemmal generally mimic some of the distinctive Preland facial features, particularly their small mouths and jaws.

Another derived Preland phenotype is greatly reduced olfaction and gustatory sensation. The synthetic food that Prelands find a palatable element of their temple rituals cannot be enjoyed by the Buld. However, the pek find it easy to synthesize food that the Buld can tolerate. Most Buld on Hemmal try to emulate the Preland indifference to food, but some Buld partake in the disreputable pastime of seeking out and savoring "bulk food" which the pek will prepare, when asked to do so. Parthney, as a "false" Buld, refuses to participate in temple food rituals and makes no attempt to hide his preference for "bulk food".

the paired planets Hemmal and Oib
Unfortunately for the "true" Buld who enjoy "bulk food", they have very small stomachs and can never consume much "roughage" at one time. This dietary restriction is one of the means by which the pek try to prevent "true" Buld from abandoning the organized Genesaunt culture that is maintained by the pek. However, there are some "true" Buld on worlds like Oib who try to live beyond the reach of the pek. Special liquid diets have been developed for the "true" Buld on Oib where there are no temple feeding ceremonies or pek-directed feeding nanites.

Kach
On worlds such as Hemmal, the "false" Buld are made use of in two distinct ways by the scheming pek. Males, such as Parthney, are recruited for service on Earth as Interventionists agents. Females, such as Kach, are valuable to the Buld scholars because they can live among the Prelands and obtain information about Preland culture. The true Buld carry too many nanites in their brains: their cognitive functions are disrupted when they try to live among the Prelands. In Chapter One of Exode, Kach is established in her career as an observer of Preland culture on Hemmal and Parthney is started on his path towards Earth.

Typically Interventionist agents on Earth remain there until they die, but Parthney is destined to be captured by Overseers and removed from his duty on Earth.

Before Parthney leaves Hemmal, Kach plays a trick on him. After Parthney is removed from Earth and makes his way back to the galactic core he learns how Kach tricked him. By this time, Parthney knows that he has been selected by the alien Fru'wu for a special mission to the Andromeda galaxy.

The Fru'wu initially plan that Parthney and Hana (a woman who was born on Earth) can travel together to the Andromeda galaxy, but Hana believes that Parthney killed her husband. Parthney goes to Hemmal and offers Kach the chance to go with him to the Andromeda galaxy. Kach agrees to give up her work on Hemmal for several reasons: 1) because she views the mission to Andromeda as a way to prevent her son from becoming an Interventionist agent on Earth, and 2) she wants to have a chance to meet the Creators, the alien beings who are venerated in Preland religion as the creators of the human species.

One of the fun parts of the dynamic between Kach and Parthney is that Kach's religious beliefs about the Creators essentially contain the truth about human origins. Parthney is a "skeptic" and believes that humans evolved on Earth.
___________

* - Note: I later decided that Parthney's biological origin was more complex than what I suggested here in this blog post.

image source - cleaned book covers by aldomann - Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License

 

Dec 16, 2012

The Undead of Exode

horror trumps science
For me, part of the fun of writing science fiction is trying to break out of my rather restricted comfort zone. Ever since discovering Isaac Asimov and Author Clarke back in the 1970s I've been a fan of what I view as being "hard" science fiction. As a science nerd, I enjoy stories that include science, high tech gadgets and characters who logically solve problems in a futuristic setting.

With my narrow focus of interest on hard science fiction, I don't have much patience with other genres such as fantasy. However, on the distant horizon of my writing "to do" list, I have my ultimate challenge: to write a fantasy story ... but I still really can't imagine how I will bring myself to do that.

magic trumps logic
In the same way that some people can be color blind, I'm "fantasy blind". I recently saw part of one of the Harry Potter movies where two of the characters were able to magically fly across an ocean in a flash, then in the next scene it was a major challenge for them to cross an additional 100 feet of water inside a cave. I've never understood the rules that guide the course of events in fantasy stories. I would not know how to construct a fantasy story...when I write I enjoy working within the constraints of natural laws that limit what is possible.

Through my participation in a collaborative fiction writing project (The Search for Kalid), I discovered how to appreciate the fun of including Space Opera elements in stories. That was a major breakthrough for me because I began writing science fiction with the intention of creating only "serious" stories that would not have room for goofy Space Opera elements. Most recently, I decided that rather than gripe about horror in science fiction, I'd make an attempt to include a horror thread in the story Exode. I'll need to mve gently towards my goal of including an element of horror in Exode: I want the horror element to be part of the suspense and mystery in adventure of the story, not an excuse to splash blood and guts across the pages.

zombies in political commentary
I'm impressed by authors who can effortlessly work in multiple genres, jumping between genres with agility. I've long enjoyed the science fiction of Jack Vance, but I've never been able to follow him into his fantasy or the "thriller" Bad Ronald. As a long-time hard science fiction fan, I'm just not very adventurous in seeking out othrer types of fiction and I frequently suffer when it seems that the science fiction genre is being over-run by types of stories that I do not enjoy reading. I recently came across the blog of David Loeff, another suffering science fiction fan, who wondered if the science fiction genre had become "un-dead" after having been over-run by vampires and zombies. David lamented the fact that writers seem to find it easier to jump on the band wagon some current pop culture theme like zombies rather than write more conventional fiction (pointing towards Vance as an author worthy of emulation).

Higgs-induced zombie eats a physics student.
As an example of where zombies trump science fiction I'll point to the recently released "Decay", an amateur movie built upon one of the great science stories of this year, the observation of Higgs particles at the LHC facility in Europe. In Decay, we are asked to imagine that when the Higgs decays, the resulting radiation magically turns people into cannibalistic zombies. It seems a sad commentary on our time that rather than create an interesting science fiction story about physics, a bunch of Ph.D. students would simply punt and make a silly zombie movie.

Apparently, part of the fun for the makers of Decay when they produce a movie about zombies at the LHC, was using zombies as a way to make commentary about how some people in the world view science. When the LHC was first going online, some people feared that black holes would be generated, leading to the end of the world. I suppose it is just a short step from fantasy black hole production to imagining that the LHC can turn people into zombies. Still, I'd be happier if the makers of Decay had been able to make a creative science-based adventure story.

zombie economics
It might well be the case that for writers trying to put bread on the table, it pay$ to write about zombie$ these days. The entertainment industry is driven by fads and if I was a starving artist I'd be tempted to $pin a few zombie tale$ simply to cash in on the craze. I occasional fantasize about a story in which Hollywood film executives are zombie-like aliens who simply make movies about topics that they are familiar with on their home world.

Immortal Buld
Since deciding on a rather unusual process of linked birth and death for the Buld in Exode, I've been trying to finalize my construction of a particular Buld character who needs to be at least 15,000 years old. When a new Buld arises as a conceptus, it quickly sets about the task of replacing the cells of its mother's body with its own cells. Part of the neural network structure of the mother's brain is retained when the baby's neurons replace those of the mother, so some of the thought patterns and personality of the parent can be passed from generation to generation. The Buld are hermaphroditic and, due to the ubiquitous presence of nanoscopic medical repair robots, they all retain the ability to become pregnant, even those who abstain from sex and live to be thousands of years old.

One of the great religious pillars of Hemmal is the dictum: "live eswer, die eswer". "Eswer" is from an ancient Preland language and in this context it can best be translated as "sword". Although the Prelands and Buld of Hemmal use the English language, there has never been a sword on the planet: the meaning of many words such as "sword" have never found their way from Earth to the culture of Hemmal. However, many of the heroic epics that are popular among the Prelands include the tragic theme of a hero who makes a tool. At first the tool affords magical success to the hero, but ultimately, the tool use backfires and there is a tragic ending. These tools are often called esweri ("swords") but they are depicted as being a magical hand-held device, rather like a basket hilt with no attached sword blade.

Among the Buld of Hemmal, a second interpretation of "live eswer, die eswer" (English translation: "live by the sword, die by the sword") has arisen. For the Huaoshy, the Buld Clan is a means by which new combinations of human genes can be produced, tested, and if found beneficial, transferred to Earth. Buld sexual behavior is shaped by religious ritual in Buld temples and Buld reproduction is carefully guided by the pek. Some of the Buld are aware of the mechanism of Buld reproduction and that when a "true" Buld becomes pregnant the new conceptus will usually develop into a true Buld by means of a process that causes the death of the parent. A Buld individual can live indefinitely...as long as thon does not become pregnant. In Exode, Yandrey is a Buld who has lived on Hemmal for more than 15,000 years as an Interventionist agent who helps make sure that "false" Buld such as Parthney can leave Hemmal and make their way to Earth.

Yandrey
Because of past connections to the Buld Scholars, Yandrey is one of the few people on Hemmal who knows that "eswre" and "suen" were the ancient Preland words for the genitalia of the hermaphroditic Prelands. Among "modern" Prelands, "live eswer, die eswer" means roughly, "if you make use of tools then those tools will kill you". This meaning is known to the Buld, but for a few Buld such as Yandrey the alternate meaning is "preganacy will kill you", although other Buld often mis-translate this as "sexual activity will kill you".

Over the long history of pek-human interactions, a continually reoccurring problem has been a tendency for some Prelands to mistakenly worship the pek as the creators of the human species. The pek actively try to keep the lives of Prelands short so as to facilitate a rapid pace of evolution and it is possible for Prelands to become aware of the fact that the pek are non-biological, what we might call artificial lifeforms...and immortal. Some Prelands come to think that their Creators want humans to become "undead" immortal beings like the pek. Unavoidably, some of these memes from Genesaunt Culture have made their way to Earth and been twisted into forms that can persist among humans who are allowed no contact with pek.

Yandrey is like an immortal seeker of souls who extracts poor unsuspecting humans such as Parthney from Hemmal, sending them off across space to do the bidding of the Interventionists. The pek like Reginal do their best to make Parthney stay on Hemmal. The tension that exits between Yandrey and Reginal spills over into the first chapter of Exode, but Parthney himself is largely unaware the battle for his soul. The reader is left to wonder what is best for Parthney and humanity.