Showing posts with label novels. Show all posts
Showing posts with label novels. Show all posts

Jan 7, 2016

Short Game

cover art by Frank Kelly Freas
2015 Fantasy Challenge
I'm a creature of habit and I like to perform little experiments that test the possibility of changing my ways. Last year I challenged myself to to write a fantasy story.

For my 2016 Change Challenge, I'm going to play a little game that will challenge me to write shorter, more streamlined stories and story summaries.

Reading Disease: I'll read anything. source
Why Bother?
I recently complained about the pulp science fiction magazine practice of paying authors by the word. As a consequence of that bu$iness practice, we ended up with many pages of pulp science fiction that were just "filler" for magazines that needed to reach an arbitrarily established page size each month.

To some extent, we fans of Sci Fi were to blame... we'll read anything with the label "science fiction" on it, even if the story is low quality. There is a similar problem in the current era. Word processors and the internet facilitate the creation of long, bloated novels and series of novels. Too few authors have the self-discipline to strive for brevity. I know I don't.

Alastor Cluster
Science fiction, because of its very subject matter, has a special problem with brevity. Authors are expected to imagine and describe entire new worlds. Describing a new science fiction universe and making it intelligible to readers can take much effort and many pages. After Sci Fi fans have been led to a new world, there is temptation to trap them there and subject readers to yet more stories set in that now-familiar fictional universe.

Personally, I really do prefer to read longer stories and most of my all-time favorite stories are parts of novel series and I've long avoided writing short stories. I particularly despise trying to fit short stories into a predefined size limit.

Some authors are masters at crafting chapter-sized chunks of stories. A bunch of these mini-stories can then be strung together sequentially into a longer work. I've never enjoyed that kind of thing. I don't like such an artificial and stuttering presentation, particularly when false climaxes have to be made for each chapter. My default path to reading and writing bliss is thus to go long, but I want to challenge myself to imagine shorter.

Information Overload
I've been reading science fiction for over 4 decades, and I've long wished for a simple way to know what I'm getting into before buying novels. During the same time, I've also read a large number of biological science journal articles. It is common practice in the biomedical literature for authors to provide a short summary of their article. Readers can quickly read an abstract before deciding if they should bother to read the rest of the article.

For novels, it has been conventional practice for publisher$ to trick readers into buying. Book cover blurbs are often misleading marketing tools rather than honest depictions of what awaits inside. I've learned that I can't rely on book cover blurbs to accurately inform me about a book's contents.

Cadwal Chronicles: Book 2
Here are three examples of deceptive marketing and reader baiting from the back cover of my copy of Ecce and Old Old Earth (1992 Tor edition):
1) "a conspiracy of humans and aliens" Jack Vance is well known for writing stories in which aliens conspire to trick and enslave humans. This is not what the three novels in the Cadwal Chronicles are about, so putting this on the cover is offensively misleading.
2) "the scientific houses of Cadwal" In Vance's novel The Language of Pao, there are are what could be called "scientific houses". There is no such thing in the books of the Cadwal Chronicles.
3) "there are ancient crimes to be discovered" In Vance's novel Emphyrio there are what could be called "ancient crimes" that need to be revealed by the protagonist. In the Cadwal Chronicles there is a crime (the murder of the protagonist's mother) that is 20 years in the past, and Frons Nisfit stole and sold some Naturalist Society property (including the Cadwal Charter) several decades previously, but using the term "ancient crimes" in the context of the cover for this novel is misleading. And these crimes are not "discovered"; rather, the mysteries associated with them are solved.
 
Cadwal Chronicles: book 3
Book publisher$ like Tor routinely engage in this kind of deceptive marketing. And don't even get me started on the topic of cover art that has nothing to do with the story. I want to find ways to clearly and concisely communicate the nature of my own stories to readers, not trick them.

Short and Sweet
Bottom line: I prefer long fiction, but I want to experiment with going shorter. Going shorter does not come easy to me, so this is going to be challenging and I might fall flat on my face (that's okay, in 2015 I tried to write a fantasy story and basically failed). In particular, I want to challenge myself to write shorter versions of long stories and honest summaries of stories that can be aids to readers who are struggling to search through the vast ocean of available science fiction stories for the specific types of stories that they enjoy.  Question: Is it true that even a very long science fiction story can always be "boiled down" or encapsulated or expressed as a short "teaser story"? I'm skeptical, but this idea intrigues me.

Lost
source
I suppose there are few things more frustrating for book publishers than to put out a wonderful novel and have the world fail to notice. Why put an accurate book description on a cover when doing do might "trick" readers into thinking the book is boring? This is a real danger for authors such as Vance who can start with a simple plot as the skeleton of a story and turn it into a festival for readers. Are there some books for which any concise summary will fail to capture the book's magic?

Gohrlay's visit to Earth
The Editor
I've been playing around with the idea that I am just "the editor" of the Exode Trilogy. I have fun imagining that people such as Thomas, Gohrlay and the Atlantis Clones write the "chapters" of the Exode stories and then it is my job to cobble all those "chapters" into a coherent set of novels.

Here in 2016 I want to take this game play to a new level. I'm going to start making editorial demands on Gohrlay and the other authors who are telling the Exode story. In particular, I'm going to demand that folks like Gohrlay submit short "teasers" to accompany their long writings.

Foundations of Eternity
My model for these "teasers" is going to be the "abstracts" that are placed at the beginning of scientific journal articles. The "teasers" that I ask for are not going to be marketing devices, they are going to be aids to the reader. An additional rule is going to be "no jargon allowed." The story teasers need to be in plain English.

Target 1
For about the past 6 months I've been planning on re-writing the first chapter of Foundations of Eternity. I figured out a way to get Gohrlay to do this particular writing project, and it is only fair that she be allowed to tell, in her own words, how she died. But I'm going to insist that she start by providing me with a short (less than 500 word) "abstract" of the story.

Multiple Tracks
cover art by Boris Vallejo
We no longer need to be trapped by the restrictions that are inherent in print publishing. Why can't there be multiple versions of science fiction stories? I'm imagining short, medium and long-length versions of the same story. Let each reader decide which version they want to read.

A Model
My hard-cover copy of Jack Vance's Araminta Station is 554 pages long. I greatly enjoy that novel, but I can't escape the feeling that it is longer than it needed to be. At the start of the second book in the Cadwal series, Vance provided a 17 page-long synopsis of Araminta Station.

building R. Gohrlay
When I wrote the first chapter of Foundations of Eternity, I was trying to convey the idea that Gohrlay's telepathic ability (largely unconscious) was providing her with clues about the fact that her secret mission to Earth could never really go undetected. The chapter ended up at 9,000 words, probably longer than it should have been. I suspect that Gohrlay's version of the story will be of a similar length.

Foundations of Eternity
Vance found a way to condense the 554 pages of Araminta Station down to just 17 summary pages, so (theoretically) that 9,000 word chapter in Foundations of Eternity could have a similarly scaled-down abstract of 275 words. Get to it, girl.

Related Reading: Contact Ascension
Nov. 2016 update: shortness
Next: from Numenes to Yrinna
visit the Gallery of Book and Magazine Covers

Feb 16, 2015

Sapient Books

the Demon Princes novels
In an article called "Centireading force: why reading a book 100 times is a great idea" by Stephen Marche, he wrote:

"books pick us, rather than the other way around" -Stephen Marche

Marche uses the term "centireading" to refer to having read a book more than 100 times (in another Reality it could be hectareading).

Marche notes: "There is a definite affinity between centireading and madness".

Alastor Cluster series
The first novel written by Jack Vance that I read was Trullion: Alastor 2262. I've never tried to count how many times I've read that book, but it might well be about 100.

In addition to the Alastor Cluster series, I've also often re-read the books in Vance's Demon Princes series and the Cadwal Chronicles series.

Humor
Apparently P. G. Wodehouse was one of Vance's favorite authors. Stephen March describes The Inimitable Jeeves as one of the two books that he has read 100 times.

What kinds of books might provoke someone to read them 100 times? Books that are playful and full of humor probably stand a much better chance of lasting through 100 readings than grim books that take themselves too seriously.

Vance's books are full of jokes, pranks and amusing prose even when the protagonists are struggling through difficult times.

the Cadwal Chronicles
Probably the most well-known example is in The Face when our hero, Gersen, first does battle with a gang of thugs across hundreds of pages and hundreds of light years of space. Finally, Gersen poisons the Demon Prince known as  Lens Larque. Knowing he is about to die, with is last breath,  Larque asks Gersen to complete his last great prank. Gersen says "no", allows Larque to die an agonizing death and then Gersen decides to go ahead and complete Larque's last great trick: turning the moon of planet Methel into a giant leering sculpture of Larque's face.

Books That Grab You
I'm intrigued by the idea that a book could literally select its reader. Stephen Marche described books that one reads 100 times as being like family. Here are four  examples of times when I can easily imagine that a book selected me.....

The Gods Themselves
Perhaps the first science fiction book that I ever read was The Gods Themselves by Isaac Asimov. I was in grade school when I discovered this book on the shelf at my local library. As a child of the television era, I don't think it had ever really occurred to me that such a thing as a hard-bound science fiction novel might exist and be available in libraries. Somehow, I was called to the small shelf where the selection of Sci Fi books waited.

Trullion
cover art by Jasper Schreurs
I'd been introduced to Jack Vance in English class during my first semester in college. During the break between semesters I was looking through a pile of books at a discount store. All those books had their covers ripped off. Somehow, from deep down in the bin, a woeful copy of Trullion: Alastor 2262 called out and attracted my attention before it was carted off to the dump.

Star King
When I was in graduate school I was looking through the Sci Fi section of a book store. I was familiar with the Alastor Cluster series, but unaware of the existence of the Demon Princes series.  This was about the time when the last novel in the series was published. I was lucky enough to be able to read the early books in the series without having to wait long for the last one.

Araminta Station
art by Rudolf Eizenhöfer
I was busy working when the first book in the Cadwal Chronicles came out and I did not even notice that Vance had begun a new series. However, my wife knew well my practice of re-reading (endlessly) the books in the Alastor Cluster and Demon Prices series, so she bought me a hard-cover copy of Araminta Station.

Assignment Nor'Dyren
1 More
For completeness, I need to mention one more book that I endlessly re-read: Assignment Nor'Dyren. This is a novel that along with Solaris really brought home for me the idea of a planet as a living being.

Anticipation
Vance seemed to enjoy crafting delicious moments of "tragic drama" in which an unsuspecting character is about to have their entire world come crashing down around him.

In Trullion, Vance introduces the mysterious Ryl Shermatz, who describes himself as a wandering journalist. In fact, Shermatz is the absolute ruler of Alastor Cluster (the Connatic), a man who enjoys secretly moving among his subjects without being recognized. In the scene where Shermatz is first introduced to Vance's readers, he is sharing a quiet evening of conversation with Akadie the mentor. Akadie is in an exulted mood, glad that he is now free of the $30,000,000 ransom money that he was assigned to collect, having just handed it off to the blackmailer's messenger that afternoon.

other cover art
However, while they talk, Shermatz is patiently waiting for Akadie and the people of Trullion to learn that the space pirate Bandolio had been captured. Both Glinnes (Akadie's friend and the protagonist of the story) and Shermatz must coldly allow suspicion to fall on Akadie (who is thrown in jail) until the true identity of Bandolio's local accomplice on planet Trullion can be determined.

Near the start of the Alastor Cluster series,  readers are told that, "When in doubt, do nothing" is one of the Connatic's favorite sayings. Shermatz lets Akadie sit in jail until Glinnes tips his hand (he has found the $30,000,000 that Akadie is accused of stealing; in locker #42 at the local spaceport) and shares with Shermatz evidence of Akadie's innocence. At that point, Shermatz assumes another of his cover identities: Over-Inspector in the Whelm, the Connatic's military service. In the role of Over-Inspector, Shermatz can quickly arrange for Akadie's release from jail. It is only in the last book in the series (Wyst: Alastor 1716) that Vance gives readers enough clues to convince us that Shermatz is actually the Connatic. Upon re-reading Trullion we can fully enjoy Vance's literary construct and understand fine points such as why Shermatz allows Glinnes to keep the $30,000,000 in ransom money.

For Araminta Station, Vance crafted two linked scenes that take place during formal dinners, one at Clattuc House and one at Wook House. The first of these dinners comes 30 pages into the novel at the time in his life when Glawen comes of age. Glawen Clattuc's relatives are shown anxiously waiting to observe his reaction when his Status Index (SI) is announced by House Master Fratano at dinner on Glawen's 16th birthday. A rumor has spread suggesting that Glawen's SI will be so bad that he will have no chance of winning one of the numerically-limited positions for adult family members within Clattuc House. "All now awaited the moment when Fratano's announcement would blast Glawen's life..." However, as the protagonist, and with the help of several turns of good luck, Glawen ultimately survives this "scare" and another dastardly attempt to "roll him out of the House"; eventually he joins the ranks of Clattuc House with full Agency Status.

The second dinner comes 500 pages and 5 years later. Glawen has just returned to Araminta Station after completing a dangerous police investigation mission off of Cadwal on the distant planet Tassadero. Having been betrayed by Kirdy Wook and left for dead on Tassadero, Glawen has the pleasure of sitting down to dinner across the table from Kirdy. The moment is described as "high drama" by Bodwyn Wook, Glawen's supervisor in the Cadwal police force. Kirdy has previously assured Bodwyn that Glawen is dead, forestalling a rescue mission that would have otherwise been sent to Tassadero. When Kirdy noticed Glawen across the Wook formal dinning table, his smile disappears, his shoulders sag and he looks down. Bodwyn Wook comments to Glawen that Kirdy's reaction reveals, "pure and unabashed guilt".

In both the Alastor Cluster series and the Cadwal Chronicles, Vance's protagonists must live among family and friends who harbor dark secrets and who hatch horrific plots. The reader does not know the true nature and extent of those plots until the end of the story, but Vance is adept at showing us the character flaws of the evil doers and throwing them into conflict with the protagonist right from the earliest chapters. Less well written books would not support re-reading after the mysteries have been revealed, but knowing the identities of those who will ultimately come into mortal conflict with the protagonists allows the "centireader" to more fully experience and enjoy the journey of discovery, danger and adventure that Vance imagined for his protagonists.

Vance's protagonists make use of skill and good luck to survive their many adventures during which they struggle through dangerous circumstances. In The Face, Vance provided readers with a dramatic scene on the world Dar Sai that is both amusing and deadly.

After their romp among the Chailles
Jerdian takes a call from Gersen
After a magical night under the moon Mirassou, in the shadows of the Chailles, Jerdian Chanseth has fallen in love with Gersen. However, Gersen has come to Dar Sai in order to find and kill demon prince Lens Larque. He can't allow himself to be distracted by the "charming, stimulating and endearing" Jerdian.....well, not too much, anyway. In order to complete his mission, Gersen must participate in a game of Hadaul, with Jerdian among the spectators. Gersen has previously presented himself as a banker, and when he steps onto the robles at the start of the game, Jerdian watches "in total bewilderment".

Gersen battles Bel Ruk (source)
Vance describes Hadaul as "between a game and a gang fight". According to Games of the Galaxy by Everette Wright, tricks, crafty betrayal and duplicity are natural elements of Hadal. However, Gersen is skilled in hand-to-hand fighting and he manages to win the game against a dozen experienced Hadal players of Dar Sai. He is then challenged to a knife fight by Lens Larque's henchman, Bel Ruk. Jerdian must watch in "fascinated horror, with her heart in her throat."....Gersen is injured but he ultimately prevails, killing his adversary, Bel Ruk.
Jerdian on the planet Dar Sai, as
first seen by Gersen in Serjeuz:
"Delightful and superb,"
thought Gersen. (source)

Vance crafted scenes such as the one described above (with Gersen watching for Jerdian's reaction when she sees him on the robles) knowing full well that readers would not really be wondering if Gersen might be killed. Of course Gersen must survive and go on to vanquish demon prince #5 in the next book of the series. So there is nothing lost by re-readers of The Face who already know the outcomes of Gersen's battles. Knowing the outcomes allows the "centireader" to pay attention to the tricks and pranks of the roblers without being distracted by the life-and-death struggle. The only robler who seems not to be having a good time is the overly-serious Bel Ruk: "but it is not expected that he should".
Trysta and Ekcolir

By re-reading Vance's novels, we can fully appreciate the scenes where Vance has arranged for a character to be waiting patiently, enjoying the relentless unfolding of the inevitable. Only the well-informed reader, such as the "centireader", can fully appreciate how Vance crafted these scenes.

The Exode Trilogy
I recently blogged about the value of viewing the planet Earth as a sentient creature. Long ago, a nanorobotic life form took up residence inside our planet, a form of life that is only marginally interested in primitive creatures like we humans.

If the entire planet can be "animated" by an alien artificial life form then why not smaller objects like books?

Writing about his favorite books, Stephen Marche commented, "I need them close to me".

Contact by Carl Sagan
Previously, I've speculated about how Irhit and others might have guided my course through life, introducing me to particular books and even using time travel technology to bring me back from the dead.

What better way might there be to keep guiding me towards the path I must take then to keep me surrounded by certain books, particularly if those book had the power to make me read them 100 times? Carl Sagan wrote about having the sensation of hearing his parent's voices after they had died.

source
The human brain is designed to adopt what Dennett called the intentional stance, and we apply it even towards inanimate objects. But what if a book were given a slight boost, a nanorobotic endosymbiont that that could literally communicate directly with your brain?

Related Reading: the Book of the Pelorix Rhode.

Next: Memories from the future....can a religion based on science fiction save humanity and allow us to have a future among the stars?
An alternate Alastor Cluster