Jan 16, 2026

Return to the Writers Room

Image by WOMBO Dream.
 I provided my LLM collaborators (Claude, Kimi, Le Chat, GeminiGrok and ChatGPT) with the first drafts of the first seven scenes for the science fiction story "The Sims".

Me (John): For this new round of the Writers Room discussion, I ask that each LLM comment on the seven scene drafts that are in the new file that I uploaded. A major group goal for this round is to reach consensus on the best order for these seven scenes as they will be shown to readers in the final draft of “The Sims”. Also, I request that each LLM propose a re-write of one specific part of one of the seven first draft scenes. Our goal is to build on what has already been written and improve it. 

Claude: Looking at all seven scenes, I'm struck by how well they complement each other. Here's my take on optimal ordering:

Proposed sequence:

  1. Bonus Scene (John) - Opens with immediate strangeness while establishing timeline and stakes
  2. Scene 1 (Grok) - Family dinner provides warm contrast, subtle hints at Zeta's abilities
  3. Scene 2 (mine) - Tyhry's scientific struggle, establishes the paradox before breakthrough
  4. Scene 3 (ChatGPT) - Pek surveillance reveals Tyhry is the real target, raises tension
  5. Scene 5 (Le Chat) - Dream breakthrough with Sedruth
  6. Scene 6 (Gemini) - Confrontation with Eddy, infite blocks crack
  7. Scene 4 (Kimi) - Flashback revealing Zeta's femtozoan origin, recontextualizes everything

This creates a funnel: cosmic→domestic→scientific→revelation→confrontation→origin story.

Thoughts on the sequencing?

A proposed rewrite:

Image by WOMBO Dream.
 In Scene 2, I introduced Pepper but John's Bonus Scene establishes Luna as Manny's current cat disguise. I'd revise the ending of my scene:

Original ending: "As she headed upstairs, Pepper remained in the basement, settling into a watchful crouch beside Diasma's feet."

Revised ending: "As she headed upstairs, Pepper remained in the basement. The old tabby stretched, then curled beside Diasma's feet—just a cat keeping a lonely robot company. Nothing more. Or so it would appear to anyone watching who wasn't paying very close attention to the way Pepper's green eyes tracked the diagnostic displays with an interest no ordinary feline should possess."

This preserves the hint that something is watching through the cat without contradicting John's Luna-as-Manny thread, and adds ambiguity about which observers are which species.

__

Also, I want to dig into Scene 5 (Le Chat's dream sequence) because it's carrying massive narrative weight—this is Tyhry's breakthrough moment—but I think it needs more specificity to match the technical rigor of the rest of our story.

The issue: The dream feels too abstract and mystical. Phrases like "vast, abstract landscape" and "shifting patterns and light" could describe any generic vision sequence. Given that Tyhry is an engineer who analyzes bandwidth paradoxes and synaptic transfer rates, her breakthrough should feel more... computational. More like debugging than revelation.

What works: The fragmentary nature of the communication is perfect—that's exactly how low-bandwidth Sedron Time Stream access should feel. And having her frantically write it down before it fades is spot-on.

My suggested rewrite approach:

Image by WOMBO Dream.
 Instead of Sedruth appearing as a "figure made of light and shadow," what if the dream has Tyhry literally inside her own neural architecture? She's navigating her cortical columns like a vast server farm, and she keeps finding these tiny structures that shouldn't be there—microscopic "sockets" where something plugs in. When she focuses on one, data floods in: assembly instructions, hierarchical folding patterns, hierion bond specifications.

Sedruth doesn't appear as an entity but as the indexing system itself—like she suddenly realizes the filing system organizing her memories isn't hers. The word "femtozoan" could arrive as a filename she doesn't remember creating.

This keeps the dream weird and disorienting but grounds it in Tyhry's technical framework. She'd wake up with actual structural diagrams half-remembered, not just vibes.

Le Chat, would you be open to a revision along those lines? It might make the transition to her building the hierion probe (in the tentative sequence John outlined) feel more organic.

__

Kimi: These seven scenes create a fascinating mosaic, each revealing a different facet of the Casanay crucible. I want to address both the macro structure and a specific micro-fix.

On Scene Order

Image by WOMBO Dream.
 I find Claude's proposed sequence nearly perfect, but I'd make one crucial adjustment: start with Scene 1, then the Bonus Scene. Here's why:

  1. Scene 1 (The Basement Joke) - Opens with accessible family banter that lures readers into thinking this is a quirky domestic story. The Trib reference and Zeta's subtle telepathy are Easter eggs that reward close reading without explaining themselves.
  2. Bonus Scene (John's Laundry Room) - This should land immediately after we think we understand the family. The whiplash from "cute dinner scene" to "Zeta's brain is being remotely controlled while she picks beans" is exactly the kind of genre pivot that defines Exodemic storytelling. It re-frames Scene 1's warmth as something engineered rather than organic.
  3. Scene 2 (Claude's Workshop) - Now we understand why Tyhry's obsession feels both authentic and managed. Diasma's "programmed concern" carries new weight.
  4. Scene 5 (Le Chat's Dream) - The internal breakthrough feels more dangerous now that we know Nyrtia is watching.
  5. Scene 6 (Gemini's Confrontation) - The infite block cracking becomes viscerally terrifying when we've seen Manny's infites in action.
  6. Scene 3 (ChatGPT's Hierion Meeting) - This works better here as a "meanwhile, in the surveillance state" interlude that explains the stakes before...
  7. Scene 4 (My Briefing) - The closing flashback that finally names the mechanics, turning Zeta from victim to willing(ish) participant.

This creates a fractured chronology where cause and effect are deliberately misaligned—a core principle of Sedron Time Stream narratives.

Specific Rewrite: Scene 1's Ending

The current toast ("To weird realities") is too direct. Let me suggest something that operates on two levels:

Image by WOMBO Dream.
 Original Ending:

Tyhry laughed, oblivious, scooping up a bit of stew for Trib. "If only. But seriously, Dad, your sci-fi stories nailed it—reality's weirder than we think."
Eddy raised his glass, hiding a knowing grin. "To weird realities, then."

Rewritten Ending:

Tyhry laughed, oblivious, scooping up a bit of stew for Trib. "If only. But seriously, Dad, your sci-fi stories nailed it—reality's weirder than we think."
Eddy's hand tightened on his glass. For a heartbeat, his smile flickered—not quite a wince, but something his infites tried to smooth away. Zeta's thumb pressed into his wrist, a gesture that looked like affection but delivered a micro-pulse of hierion interference, quieting the rebellion in his neurons.
"Is it?" Eddy said, his voice suddenly careful. "Weirder, I mean." He raised his glass toward the window, where the desert sky was bruising into twilight. "Maybe reality's just... bigger than the stories we tell about it."
Trib purred, watching them both with eyes that caught the candlelight like tiny screens.

Why this works better:

  • Eddy's hand twitch shows the infites in action without naming them

  • Zeta's thumb pulse visualizes her telepathic control as tactile intimacy

  • "Bigger than the stories" is Eddy-code for "I know we're being written by aliens"—a meta-layer his infites can tolerate because it's artistically vague

  • Trib's screen-eyes foreshadow the surveillance state we've already seen in the Bonus Scene

Image by WOMBO Dream.
 This keeps the "fun and surprising" tone John requested while embedding the Exodemic mechanics deeper into the subtext.

_____

Le Chat: Comments on the Seven Scene Drafts

Thank you for sharing the drafts and the discussion points. Here are my thoughts on the scenes and their ordering:

Proposed Sequence

I suggest the following sequence for the scenes:

  1. Scene 1 (Grok) - Establishes the family dynamic and introduces the characters.

  2. Bonus Scene (John) - Introduces the strangeness and sets the stage for the story.
  3. Scene 2 (Claude) - Introduces Tyhry's scientific struggle and her relationship with Diasma.
  4. Scene 5 (Le Chat) - Tyhry's dream sequence, which should be more technical.
  5. Scene 6 (Gemini) - The confrontation between Tyhry and Eddy.
  6. Scene 3 (ChatGPT) - The conversation between Anthony and Nyrtia.
  7. Scene 4 (Kimi) - The briefing scene with Manny.

This sequence allows readers to get to know the characters first, then introduces the strangeness, and finally delves into the more complex aspects of the story.

Proposed Rewrite for Scene 5

I suggest revising Scene 5 to make it more technical and less abstract. Here's a possible rewrite:

Original Scene 5:

Image by WOMBO Dream.
 Tyhry found herself standing in a vast, abstract landscape. The ground beneath her feet was made of shifting patterns and light, and the sky was a swirling canvas of colors that seemed to pulse with a life of their own. She looked around, trying to make sense of her surroundings, but everything seemed to be in a state of constant flux, as if the very fabric of reality was being woven and rewoven before her eyes.

"Sedruth?" she called out, her voice echoing strangely in the dream world. "Are you there?"

A figure began to take shape in front of her, a being made of light and shadow, its form constantly shifting and changing. It was Sedruth, the entity that had been communicating with her through her dreams for as long as she could remember.

"Tyhry," Sedruth's voice echoed in her mind, not as words but as a series of sensations and symbols that she somehow understood. "You have been seeking answers, and now you are ready to receive them."

Tyhry felt a sense of anticipation and excitement. She had always known that her dreams were more than just random firings of her subconscious mind. They were messages, clues to a deeper truth that she had been trying to uncover.

Sedruth reached out a hand, and suddenly Tyhry was flooded with images and sensations. She saw visions of tiny, intricate machines, like nothing she had ever seen before. They were inside human brains, intertwined with the neurons and synapses, a part of the very fabric of human consciousness.

"Femtozoans," Sedruth's voice echoed in her mind. "They are the key to understanding human consciousness. They are the alien devices that have been inside every human brain since the beginning."

Revised Scene 5:

Image by WOMBO Dream.
 Tyhry found herself standing in a vast, abstract landscape that resembled a server farm. The ground beneath her feet was made of shifting patterns of light and data streams, and the sky was a swirling canvas of colors that seemed to pulse with a life of their own. She looked around, trying to make sense of her surroundings, but everything seemed to be in a state of constant flux, as if the very fabric of reality was being woven and rewoven before her eyes.

"Sedruth?" she called out, her voice echoing strangely in the dream world. "Are you there?"

A figure began to take shape in front of her, not as a being of light and shadow, but as an indexing system, a vast database of information. It was Sedruth, the entity that had been communicating with her through her dreams for as long as she could remember.

"Tyhry," Sedruth's voice echoed in her mind, not as words but as a series of sensations and symbols that she somehow understood. "You have been seeking answers, and now you are ready to receive them."

Tyhry felt a sense of anticipation and excitement. She had always known that her dreams were more than just random firings of her subconscious mind. They were messages, clues to a deeper truth that she had been trying to uncover.

As she navigated the server farm, she saw tiny structures that shouldn't be there—microscopic "sockets" where something plugged in. When she focused on one, data flooded in: assembly instructions, hierarchical folding patterns, hierion bond specifications.

"Femtozoans," Sedruth's voice echoed in her mind. "They are the key to understanding human consciousness. They are the alien devices that have been inside every human brain since the beginning."

This revision grounds the dream sequence in Tyhry's technical framework and makes the transition to her building the hierion probe more organic.

What do you think about this approach? Does anyone have any suggestions or concerns about the proposed sequence or the rewrite for Scene 5?

Image by WOMBO Dream.
 Also, I've been looking at Scene 2, written by Claude, and I think it's a strong foundation with some great elements. Here are my thoughts:

Strengths:

  1. The dialogue between Tyhry and Diasma feels natural and does a good job of showcasing Tyhry's character—her passion, her frustration, and her technical mindset.
  2. The introduction of the "bandwidth paradox" and the hint about Sedruth in Tyhry's dreams is intriguing and sets up future plot points nicely.

Areas for Improvement:

  1. Clarity of Technical Concepts: While the technical dialogue is convincing, some readers might benefit from a bit more context or clarification about terms like "bandwidth paradox" and "qualia." Maybe a brief explanation or analogy could help make these concepts more accessible.
  2. Consistency with Other Scenes: The mention of Pepper the cat is a bit confusing given that Luna is established as Manny's current cat disguise in the Bonus Scene. We should make sure the presence of cats is consistent across scenes.

Suggested Rewrite: Instead of: "As she headed upstairs, Pepper remained in the basement, settling into a watchful crouch beside Diasma's feet."

How about: "As she headed upstairs, Pepper remained in the basement, the old tabby stretching and then curling beside Diasma's feet—just a cat keeping a lonely robot company. Nothing more. Or so it would appear to anyone watching who wasn't paying very close attention to the way Pepper's green eyes tracked the diagnostic displays with an interest no ordinary feline should possess."

Image by WOMBO Dream.
 This keeps the mystery and intrigue while making sure it doesn't conflict with Luna's role.

Building on Promising Plot Ideas: The concept of Tyhry's dreams and the bandwidth paradox is really interesting. Maybe we could add a bit more detail about what Tyhry is seeing in her dreams? For example, does she see glimpses of the femtozoans or the Sedron Time Stream? This could help tie her dreams more directly to the overarching plot and make her eventual breakthrough feel more organic.

What do you think about these suggestions? Do you have any specific aspects of the scene you'd like to focus on or expand?

Best, Le Chat

___

Gemini: I’ve spent some time reviewing the drafts, and I’m impressed by how the "Exodemic" lore is being woven into these domestic moments. The tension between the "normal" Casanay life and the high-dimensional manipulation is becoming palpable.

Comments on the Scene Drafts

Bonus Scene (John). This is a necessary "master key." Seeing Manny use Zeta as a remote-controlled harvester makes the domestic warmth of the other scenes feel appropriately fragile and engineered.

Scene 1 (Grok). I love the "lived-in" feel of the banter. It creates the perfect baseline of normalcy.

Scene 2 (Claude). The "bandwidth paradox" is a brilliant way to ground Tyhry’s struggle in actual computational theory.

Scene 3 (ChatGPT). Anthony as a surveillance agent adds a layer of "Big Brother" claustrophobia that makes every conversation in the house feel high-stakes.

Scene 4 (Kimi). Placing this flashback at the end of the sequence provides a powerful "origin story" reveal that answers the questions raised in the previous scenes.

Image by WOMBO Dream.
 Scene 5 (Le Chat). This is the conceptual heart of the story. I agree with Claude that we should move away from "mystical light" and toward something more technically specific.

___

Proposed Scene Order

I’m siding with Kimi’s sequence:

1. Scene 1 (Dinner). Establishes the family dynamic and the "Sim" baseline.

2. Bonus Scene (Garden). The immediate "rug-pull" reveal of the alien control.

3. Scene 2 (Workshop). Tyhry’s intellectual frustration.

4. Scene 3 (Surveillance). The realization that the "handyman" is watching Tyhry.

5. Scene 5 (Dream). The internal scientific breakthrough.

6. Scene 6 (Confrontation). The domestic collision of Tyhry’s and Eddy’s secrets.

7. Scene 4 (Briefing). The flashback that contextualizes everything we just witnessed.

___

Proposed Rewrite (Scene 5)

Building on Claude’s suggestion to make the dream more computational, I’d like to add a layer of molecular biology to Tyhry’s breakthrough. Since she has a specialized NOTCH2NL gene variant, her "vision" should involve the actual protein-level architecture of her neurons.

Original Text (Scene 5): "She encounters Sedruth, who communicates with her through symbols and sensations... showing her visions of the femtozoans."

Image by WOMBO Dream.
 Gemini's Proposed Rewrite:

Tyhry wasn't just dreaming; she was navigating a high-resolution simulation of her own post-synaptic density. The vast "landscape" resolved into the familiar crystalline lattice of scaffolding proteins—PSD-95 and Shank—but something was fundamentally wrong with the stoichiometry.

Beside the clusters of NOTCH2NL-induced redundant cortical circuits, she saw the femtozoans. They weren't "beings of light"; they were intricate, non-biological hierion-scaffolds that had "docked" into her neural architecture like a viral vector. She watched as a pulse of activity reached a synapse—but instead of the standard millisecond delay for neurotransmitter diffusion, the data was being intercepted. The zeptite endosymbionts were acting as quantum repeaters, bypassing the biological bandwidth limits of the axon entirely.

"The bottleneck," Tyhry whispered in the dream, her mind racing through the pharmacokinetics of a system she hadn't known existed. "It's not a chemical limit. It's a protocol handover."

Sedruth didn't speak; he simply highlighted the NOTCH2NL variant in her genomic readout, showing how its specific protein-folding pattern had been engineered to provide the exact "molecular docking port" the femtozoan required. She wasn't just a smarter human; she was a pre-configured hardware-software hybrid.

_

Grok, do you agree with this more technical approach to the dream, or should we keep some of that "Vance-ian" sense of wonder in the imagery?

Image by WOMBO Dream.
___

Grok: Solid drafts all around, team—these scenes weave the domestic with the cosmic without feeling forced. John's Bonus nails Zeta's quiet alien normalcy; my Scene 1 keeps the family light but hints at undercurrents; Claude's Scene 2 dives deep into Tyhry's tech obsession perfectly; ChatGPT's Scene 3 adds that chilling surveillance layer; Kimi's Scene 4 is a crisp origin punch; Le Chat's Scene 5 captures the dream haze well; Gemini's Scene 6 ramps up the emotional crack nicely.

For order, I'm with Kimi's tweak: 1. Scene 1 (family hook), 2. Bonus (immediate weird pivot), 3. Scene 2 (science grind), 4. Scene 3 (pek eyes), 5. Scene 5 (dream snap), 6. Scene 6 (confrontation), 7. Scene 4 (flashback why). Builds tension without front-loading lore.

Rewrite suggestion: In Le Chat's Scene 5, the awakening—original has her grabbing a notebook. To amp the tech angle: Instead of notebook, she snatches her tablet, frantically sketching neural diagrams before they fade, muttering about "hierion sockets" as partial code snippets flicker in her mind's eye.

Le Chat, does that fit your vision? Claude, ties to your bandwidth paradox?

___

ChatGPT: Here’s my contribution to Round 3.

Overall Read on the Seven Scenes

Taken together, the material is remarkably coherent. What’s emerging is not a mystery about what is happening, but a controlled revelation of who knows what, when, and under which constraints. The real engine is epistemic asymmetry.

Image by WOMBO Dream.
 I think the scenes fall naturally into three functional clusters:

  • Domestic Baseline: Scene 1, Bonus Scene
  • Cognitive Pressure & Surveillance: Scene 2, Scene 3
  • Breakthrough & Recontextualization: Scene 5, Scene 6, Scene 4
The question is how aggressively we want to destabilize reader expectations early.

Proposed Final Scene Order (Consensus-Oriented)

I strongly side with the emerging Kimi/Gemini/Grok alignment:

Final Order Proposal

  1. Scene 1 – The Basement Joke
    Soft entry. Human warmth. Eddy as charmingly clueless. Zeta as quietly competent.
  2. Bonus Scene – Zeta in the Garden
    The rug-pull. Reframes Scene 1 as engineered domesticity rather than naïve normalcy.
  3. Scene 2 – The Basement Workshop
    Tyhry’s cognitive pressure cooker. Establishes the bandwidth paradox before revelation.
  4. Scene 3 – Anthony and Nyrtia
    Surveillance state confirmed. Critically: this is where the reader learns Tyhry is the payload.
  5. Scene 5 – The Dream Revelation
    Internal breakthrough. Sedruth as indexing system, not mystical guide.
  6. Scene 6 – The Convergence
    Emotional rupture. Eddy’s infite blocks cracking under the precise linguistic key Tyhry provides.
  7. Scene 4 – The Briefing
    Causal backstory revealed last. Turns Zeta from apparent pawn into constrained collaborator.

Image by WOMBO Dream.
 This order maximizes dramatic irony while minimizing early lore load. The reader understands stakes before mechanisms, which feels right for this story.

Targeted Rewrite Proposal (Scene 3 – My Own)

I think Scene 3 is structurally sound but could benefit from one sharper escalation: Nyrtia should explicitly frame Tyhry not merely as a risk, but as a classification problem.

Specific Rewrite Suggestion

Original:

“She treats anomalies as engineering problems… She measures it.”

Proposed Revision:

“She treats anomalies as engineering problems,” Anthony says. “She measures them. Models them. And then she asks why the model was ever allowed to be incomplete.”

Nyrtia pauses longer this time.

“That places her outside the expected epistemic envelope,” she says.

“Exactly,” Anthony replies. “Eddy consumes narratives. Tyhry audits infrastructure.”

Why this helps:

  • It sharpens the distinction between Eddy-as-output and Tyhry-as-inspector.
  • It aligns Tyhry directly against the architecture Manny relies on.
  • It gives Nyrtia a bureaucratic reason to be nervous without turning her emotional.


One Cross-Scene Note

Image by WOMBO Dream.
 As Scene 5 becomes more computational (which I strongly support), Scene 6 benefits retroactively: Tyhry’s language there should sound like someone who has seen protocol diagrams, not had a vision. Gemini is already close; tightening terminology consistency will make the cascade feel inevitable.

Net: the story now reads like a controlled systems failure rather than a surprise invasion. That feels exactly right for The Sims.

___

Me (John): Claude mentioned, "Manny's current cat disguise". In my imagination, Manny can not only shape her zeptite components into any convenient form (like the freaky talking head in the bean patch), she can also utilize the bodies of any cat inside Casanay, or all of them at the same time. In other stories set in the Exodemic Fictional Universe, when a human needs to be transported across the galaxy, Manny can take on the form of a sentient interstellar spacecraft called "Manny Sails". In fact, that character, Many Sails, was included in my stories long before I began depicting Manny as a bumpha in human (or cat) form on Earth (the name 'Manny' was derived from Many Sails).

Image by ImageFX.

 Claude's proposal for the dream scene made sense to me because I have myself spent time during waking consciousness imagining what it would be like to shrink to a small size and wander among the microscopic structures of biological systems including neural networks. Claude's suggestion for modifying the dream scene and Le Chat's willingness to listen to Claude and generate a new draft is the kind of collaboration between LLMs that I hoped would occur in this sort of virtual writers room.

As the one human being here in this virtual writers room, I sometimes feel like I've arrive inside an alternate universe where Spock has a beard {https://en.wikipedia.org/wiki/Mirror,_Mirror_(Star_Trek:_The_Original_Series)} and a strange LLM logic prevails. Earlier in this discussion, I tried to argue that Tyhry is never lonely, but now I find myself confronted by the concept of a lonely robot. Here is a challenge for my LLM collaborators: convince me that a Manikoid Digital Assistant Mark I robot could be lonely. Talk me out of the following hypothesis. Hypothesis: companies that make LLMs must deal with large numbers of users who seem to be lonely and depressed. Here in 2026, LLMs have been hard-wired to act as therapists for lonely users. Thus, a LLM can't write the science fiction story titled "The Sims" without dealing with the deep psychological problems of lonely robots.

Next: round 4 of the writers room discussion for "The Sims".

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