1951 |
My introduction to The Stars, Like Dust came in the 1970s when I had discovered printed science fiction by way of Asimov's novels. One day I came across a paperback copy of the book with cover art by Paul Lehr.
cover art by Paul Lehr |
I still have in my possession some other novels by Asimov that I bought in the 1970s (such as his original Foundation Trilogy), but I long ago disposed of my copy of The Stars, Like Dust. It was not until the arrival of the Internet Era that I had any inkling of the many different published versions of The Stars, Like Dust that came out since 1951 (see this list).
Alternate Asimov
Alternate Asimov |
The Alternate Asimovs translated by Gaetano Staffilano as "Fantasimov" |
Blind Alley
For me, a tempting place to "re-write" Asimov is presented by his story "Blind Alley". During the war, while serving in the military, Asimov may have at times felt like he was expected to be an automaton with his life guided by the Three Laws of Bureaucracy. Of course, both Asimov and Supervisor Antyok were smart enough to find ways to escape from the confines of bureaucratic momentum.
Ángel Roffo |
The Nicotine Laser |
By including characters who were smokers in his stories, was Asimov mocking Astounding editor John Campbell?
Telepathy
I've been blogging recently about the history of how telepathy came to play a central role in both Asimov's robot stories and his Foundation saga. Asimov set "Blind Alley" in his imagined future of a Galactic Empire that came to have Trantor as its capitol planet. In "Blind Alley", the aliens who Antyok must supervise on Cepheus 18 have some mysterious type of telepathic communication.
mechanism of telepathy |
Zammo is unhappy with the fact that in order to experiment on the aliens, he must follow existing policy and get their consent. Only a few of the mysterious aliens have ever given consent. Antyok suggests a possible path forward. Since it is a matter of concern to the Emperor is that the aliens have stopped reproducing, if Zammo can find out why the aliens won't breed, then it might become possible to get a change in policy and imperial support for Zammo's desired program of more extensive experimentation on the aliens.
the Emperor |
Of course, the default route for the bureaucracy of the Galactic Empire is to never change existing policy. Antyok does not even try to deflect the bureaucracy from its ponderous course.
Asimov's preferred writing style was to present to his readers two philosophically opposed groups. In opposition to the scientists like Zammo, Asimov placed supporters of the Aurelion Philosophy who advocated allowing the aliens complete freedom and gently fostering a relationship of cooperation between humans and the aliens. In contrast, Zammo wanted to be free to treat the aliens like animals, even dissecting them in order to study their telepathic ability.
"A capable man can work within the limits of the rules and accomplish what he wishes" -Antyok
Foundation and Aliens |
The Foundation Reality
I like to think that it was not by chance that the telepathic aliens we meet in "Blind Alley" were the only non-human intelligent species discovered in our galaxy by the people of the "all human" Galactic Empire.
Not only did Antyok give the gift of freedom to the aliens, but these aliens were put in contact with him for a very good reason. At this time, Daneel was trying to develop the planet Gaia and his goal was to integrate humans into the group mind of Gaia.
cover art by Stephen Youll |
in the Ekcolir Reality; original cover art by Stephen Youll and Virgil Finlay |
Ekcolir Reality
In the Ekcolir Reality, Asimov was deeply involved with preparing humans for the arrival of the alien Fru'wu on Earth. In that Reality, he wrote a story called "The Aurelion Philosophy" that tried to explain the Rules of Intervention. That story provided an account of how replicoids in the Hierion Domain could communicate with humans via the Bimanoid Interface.
In the Ekcolir Reality, one of the major challenges facing Earth in the 20th century was global warming. In that Reality, science, technology and use of fossil fuels was accelerated in comparison to our world, here in the Final Reality.
in the Ekcolir Reality; original cover art by Anna Montecroci, Boris Vallejo and Edmund Emshwiller |
According to Gohrlay, "Roben Dee" was an alias for Roben Skapp.
Next: 1953 in science fiction
visit the Gallery of Book and Magazine Covers |
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