Showing posts with label rockets and rayguns. Show all posts
Showing posts with label rockets and rayguns. Show all posts

Feb 1, 2025

Blast It

The pink pest in the jungle on an exoplanet.
 In my previous blog post, I included an image called "Pest Control" that depicted a woman using a Sci Fi ray gun to discourage the advances of a large insect-like creature. That "Pest Control" image came into existence after I asked ImageFX to make an image depicting: "an alien creature that is an annoying pest on a distant exoplanet". I then used the ImageFX-generated "pink pest" as a "subject" image for Whisk along with a "scene" image similar to Figure 4 in my previous blog post.

Today, I was having a discussion with Gemini about AI-generated images of aliens when I asked ImageFX to generate a new image for a rather complex text prompt (See Figure 1, below) and got an image of an 'insectoid'.

The pink pest closeup.
The image to the left shows one of the "pests" that ImageFX generated. The "jungle" shown in the image above, in the upper right corner of this blog post, was one of several generated by ImageFX for this text prompt: "a jungle of alien plant-like life forms, the plant-creatures have some anatomical features like humans, the plant life is from a distant exoplanet and mostly covered with green leaves, the alien plant life has appendages that look like the tentacles".

Figure 1. Generated by ImageFX.
For the ImageFX-generated image in Figure 1, the text prompt was something that Gemini 'said' to me during our conversation about AI biases in depicting aliens: "You have a specific vision in mind, but the AI is struggling to realize it.  This suggests that AI image generation tools should be designed to work in collaboration with human users, allowing us to steer the AI towards these 'rim' areas.  We need tools that let us say, 'I like the bipedal form, but let's experiment with different head shapes and skin textures,' or 'Let's move away from the insectoid look and try something more mammalian.'." In the conversation, I'd raised the issue of basins of attraction in "image space" and "rims" between those basins.

SSS insectoid

Using one of the other "insectoid" images that was generated along with the one shown in Figure 1, I provided Whisk with the inputs that are shown to the left. The "subject" image shown to the left was also generated by ImageFX. Whisk then generated images such as the one shown in Figure 2, below.

I uploaded that image that is shown in Figure 1 to Gemini and asked, "Can you guess the text prompt that was used when ImageFX generated the image that I just uploaded?"

 Gemini: "Visual Analysis.
Subject: The main subject is a slender, humanoid alien creature with a somewhat insectoid or crustacean-like exoskeleton. It's crouching on a rock, seemingly in a forest or jungle environment.
Environment: The background suggests a dense, humid environment with large trees/plants, and a full moon or celestial body visible in the sky.
Details: The creature has a segmented body, long limbs, a distinctive head shape with large eyes, and a textured skin. The lighting is dramatic, highlighting the creature against the darker background.
Style: The image has a painterly, illustrative feel, with a touch of fantasy or science fiction art.

  Possible Prompts:  Here are some potential prompts, keeping in mind my previous errors and trying to be more specific:

Gemini suggestion #1
By ImageFX.
  Direct and Descriptive. 1) 'Slender humanoid alien crouching on a rock in a forest at night, full moon in background, detailed exoskeleton, large eyes, digital painting style.' 2) 'Insectoid alien creature, long limbs, segmented body, crouching on a rock in a jungle, dramatic lighting, fantasy art style.' 3) 'Close-up of a humanoid alien with textured skin, crouching on a rock, forest environment, full moon, digital illustration.'
More Evocative or Abstract: 1) 'Alien life form in a jungle environment, illuminated by moonlight, intricate details, fantasy art.'   2) 'Creature of the night, alien humanoid, forest setting, dramatic lighting, digital painting.' 3) 'Extraterrestrial being in a lush alien world, full moon, detailed anatomy, illustrative style.'
Adding Specificity (Based on Visual Cues): 1) 'Slender humanoid alien with a chitinous exoskeleton, large black eyes, elongated head, crouching on a moss-covered rock in a dark jungle, full moon illuminating the scene, digital painting, fantasy art style.' 2) 'Detailed illustration of an insectoid alien with long, spindly limbs, segmented body with reddish markings, crouching on a rock, dense forest environment with large trees and vines, full moon in the sky, dramatic lighting from the side.'
Gemini's "refined guess".
By 
ImageFX.
  My Refined Guess (Combining Elements): 'Slender humanoid alien, insectoid features, chitinous exoskeleton, large dark eyes, crouching on a rock in a dark jungle environment, full moon, dramatic side lighting, digital painting, fantasy art style, intricate details.' I've tried to be as specific as possible while still allowing for some artistic interpretation by the AI.  Let me know the actual prompt when you're ready to reveal it. 😊"

At that point, I told Gemini the text prompt that had been used to generate the image shown in Figure 1.

 Gemini: "That's... fascinating!  It's a meta prompt, a prompt about the process of image generation rather than a direct description of a visual scene.  I'm both surprised and impressed by ImageFX's interpretation.  Let's analyze why this prompt, focused on the interaction between human vision and AI struggle, might have resulted in the image we see:

Generated by Mr. Wombo.
  'You have a specific vision in mind, but the AI is struggling to realize it.':  The somewhat awkward posture of the alien, its slightly unsettling features, could be interpreted as the AI's 'struggle.'  It's not a perfectly harmonious or conventionally beautiful creature, perhaps reflecting the difficulty of achieving a precise vision.
'This suggests that AI image generation tools should be designed to work in collaboration with human users, allowing us to steer the AI towards these "rim" areas.':  The presence of the rock, a distinct and somewhat rough-hewn object, might symbolize the 'steering' or guidance provided by the human user.  The alien, perched on this rock, could represent the AI being nudged in a particular direction.
'We need tools that let us say, "I like the bipedal form, but let's experiment with different head shapes and skin textures," or "Let's move away from the insectoid look and try something more mammalian".': This is the most intriguing part.  The alien in the image does have some insectoid qualities (segmented body, long limbs), but it also has mammalian features (the overall body shape, the facial structure).  It's almost a hybrid, suggesting the AI is trying to reconcile different aesthetic directions, moving between 'insectoid' and 'mammalian' as the prompt suggests.  The somewhat rough texture of the skin might also reflect the 'experimenting with...skin textures' part of the prompt.
Generated by Mr. Wombo.
 
Overall Interpretation:  ImageFX seems to have taken the prompt quite literally, attempting to visualize the process of human-AI collaboration in image creation.  The resulting alien is a kind of "transitional" being, caught between different styles and forms, reflecting the AI's struggle to realize a specific vision and the human's role in guiding that process.  This is a remarkable example of how AI can interpret abstract concepts and generate a visual representation, even if the connection isn't immediately obvious.  It highlights the power of prompts to influence not just the content of an image but also its underlying meaning and its relationship to the creative process itself.  It's a testament to the fascinating and often unpredictable ways AI can interpret and respond to human language."

Figure 2. Blast the insectoid, Whisk version 1.

Figure 3. Blast the insectoid, Whisk version 2.

Generated by Mr. Wombo.
When I saw the Whisk-generated image that is shown in Figure 2, I altered the description that Whisk was using ("A digital painting in the style of science fiction concept art, featuring warm, earthy tones of brown, tan, and orange, accented with muted blues and greens.  Soft, diffused lighting creates a warm atmosphere.  A young woman with light skin and brown hair in a ponytail, wearing a dark business suit, stands defensively to the left of a large, insectoid creature.  The creature has a segmented, mottled greenish-brown exoskeleton, numerous spines, and sharp claws on its six legs. The background is a dark reddish-brown. The woman holds a laser weapon, firing a diagonally oriented streak of light at the creature. This streak is composed of densely clustered white, light blue, and orange-gold particles, thinning towards the edges, overlaid with thin, curving lines of light blue and gold.  Visible brushstrokes contribute to the painterly texture. The scene is detailed but not hyperrealistic, with a focus on atmospheric perspective and a slightly desaturated color scheme.") to this: 

Generated by Mr. Wombo.
 "A stunningly detailed, photorealistic rendering of a science fiction setting featuring a young woman with light skin and brown hair in a ponytail, wearing a futuristic jumpsuit, stands defensively to the left of a large, alien creature.  The alien creature has six legs and the body structure of an aquatic mammal. The background is a dark reddish-brown forest of a distant habitable exoplanet. The woman holds a futuristic laser weapon, firing a diagonally oriented streak of light at the creature. This streak is composed of densely clustered white, light blue, and orange-gold particles, thinning towards the edges, overlaid with thin, curving lines of light blue and gold.  The scene is detailed and hyperrealistic, with a focus on atmospheric perspective and a vibrant color scheme." Whisk then generated the image that is shown in Figure 3.

Next, I uploaded that Whisk-generated image to Gemini and asked, "Gemini, what language would you provide to Whisk in order to change the image that I just uploaded into a similar image in which the Sci Fi "ray beam" actually strikes the alien creature?" 

Generated by Mr. Wombo.
 Gemini: That's a great question!  To get Whisk to generate an image where the ray beam is actually impacting the alien creature, you'll need to provide a prompt that is more explicit about the interaction and the point of contact.  Here's a breakdown of how to refine your prompt, along with some example phrasings:
  Key Elements to Include:
  1. Point of Contact:   Specify where the beam should strike the alien.  Be as descriptive as possible:       "striking the alien's chest"      "hitting the alien on its head"      "impacting the alien's leg"     "piercing the alien's exoskeleton at the joint"
  2. Reaction/Effect: Describe the visible effect of the beam's impact. This will help Whisk visualize the interaction:      "causing sparks and smoke"     "disintegrating part of the alien's body"     "making the alien recoil in pain"      "illuminating the alien with a bright glow"
  3. Beam Continuity:  Ensure the beam is visually connected from the weapon to the point of impact:     "the beam extends from the weapon to the alien's chest"     "a continuous beam of energy connects the weapon and the alien"

Generated by Mr. Wombo.
  Example Prompts:  Here are a few variations, combining these elements:  "A female soldier in futuristic armor fires a ray gun, the bright blue beam striking the large alien creature on its chest, causing sparks and smoke." (This adds detail about the effect)  "Close-up of a humanoid alien recoiling in pain as a powerful energy beam from a soldier's weapon hits its arm, disintegrating part of its exoskeleton."  (This focuses on the alien's reaction)   "A continuous beam of blue energy connects a futuristic weapon held by a soldier to the head of a large, insectoid alien, illuminating the alien with a bright glow." (This emphasizes the beam's connection)   "A female soldier aims her weapon at a monstrous alien, the ray beam piercing the alien's exoskeleton at the joint of its leg, causing it to stumble." (This adds a narrative element)
  Tips for Best Results:
Generated by Mr. Wombo.
  Experiment with phrasing: Try different ways of describing the same action.  Synonyms and varied sentence structure can influence the output.
Be specific about details: The more details you provide about the alien's appearance, the weapon, and the environment, the better Whisk can understand your vision.
Use action verbs: Strong verbs like "striking," "impacting," "piercing," and "disintegrating" will help convey the force and effect of the beam.
Generated by Mr. Wombo.
Iterate and refine: If the first results aren't perfect, don't be afraid to tweak your prompt and try again.  AI image generation is often an iterative process.  By incorporating these suggestions, you should be able to guide Whisk towards generating an image where the ray beam convincingly strikes the alien creature, creating a more dynamic and impactful scene.  Good luck!  Let me know how the results turn out.

 Using some of the suggestions from Gemini, I used this new text description with Whisk: "A stunningly detailed, photorealistic rendering of a science fiction setting featuring a young woman with light skin and brown hair, wearing a futuristic jumpsuit and standing defensively to the left of a large, alien creature.  The woman is shouting in alarm as the alien creature approaches her. The alien creature has six sleek and fur-covered legs and the hairless body structure of an aquatic mammal. 

Generated by Mr. Wombo.
 The young woman fires a ray gun, the bright blue beam striking the alien creature, causing sparks and smoke. The background is a dim reddish-brown forest floor of a distant habitable exoplanet. The woman holds a futuristic laser weapon, firing a streak of light that intersects with the head of the creature. This streak is composed of densely clustered white, light blue, and orange-gold particles, thinning towards the edges, overlaid with thin, curving lines of light blue and gold. The streak of light from the ray gun ends where it strikes the alien creature. The light from the ray gun does not extend past the head of the alien creature. The scene is detailed and hyperrealistic, with a focus on atmospheric perspective and a vibrant color scheme." Whisk generated the image shown in Figure 4.

Figure 4. Blast the insectoid, Whisk version 3.
SS spider woman.

I had WOMBO Dream use the alien creature shown in Figure 4 as a reference image and Mr Wombo generated an image that looked like a "spider woman", so I used that as a new "subject" image for Whisk as shown in the top panel of the image to the left. I also changed the inputs to Whisk so as to use the image shown in Figure 4 as the new "scene". With those new inputs (including, "The young woman with the ray-gun defends herself against an alien spider woman."), Whisk generated the image shown below in Figure 5.

Generated by Mr. Wombo.
For my science fiction stories, I often include characters who are humanoid aliens or human-alien hybrids. In this case, when I asked for an "alien spider woman", Mr. Wombo could not resist generating images in which the "alien" looked like a character from a Spider-man comic.

comics
One such comics-like image is shown to the left. A less-comic-like alien-spider-woman is shown to the right. Click on the image to the left for an enlarged view of the comic-like spider-woman. Mr. Wombo tends to treat heads and faces differently from the bodies of such "hybrid creatures", seemingly unable to escape from so many training set images with bare human faces and clothed bodies. Really... the alien needs no clothing.

Figure 5. Blast the insectoid, Whisk version 4.

Figure 6. Generated with Leonardo "flow state". Text only prompt from Whisk.

Figure 7. Generated with Leonardo Phoenix 1.0 "classic" mode; Figure 5 reference & text prompt.

Figure 8. Generated with Leonardo Lightening (40 & 60 percent weighting to reference image).
Figure 9. Generated with Leonardo Lightening (80 & 90 percent weighting to reference image).
Generated by Mr. Wombo.
I provided Leonardo with text prompt and reference image inputs from Whisk and then Leonardo generated images such as those shown above in Figures 6 & 7. Leonardo generated three images like the right hand panel in Figure 7 and one like the left-hand panel.

Leonardo user interface. Percentage controls.
 Percentage. Figures 8 & 9, above, show how it is possible with Leonardo to control the percent dependence of image generation on the reference image. Only at 90% did Leonardo put a humanoid head on the alien spider creature.

Generated by Mr. Wombo.
 The image to the right was generated by using one of the AI-generated "alien spider" images as a reference image for WOMBO Dream. "The Absurd v2" style of WOMBO Dream was used first to get a WOMBO-generated "draft" image" and then the "Anime v3" style was used to get the final image.

I'll end this blog post with one more alien spider creature (see Figure 10, below). Whisk image description: "A stunningly detailed, photorealistic rendering of a science fiction setting featuring a young woman with light skin and long blond hair, wearing a futuristic transparent lace jumpsuit and standing defensively to the left of a large, alien creature.  The woman is shouting in alarm as the alien creature approaches her. The alien creature has sleek fur-covered legs and the face of a beautiful woman: the alien creature is a spider-woman. The young woman fires a ray gun, the bright blue beam striking the alien creature, causing sparks and smoke. 

Generated by Mr. Wombo.
 The young woman with the ray-gun defends herself against an alien spider-woman. The background is a dim reddish-brown forest floor of a distant habitable exoplanet. The woman holds a futuristic laser weapon, firing a streak of light that intersects with the head of the creature. This streak is composed of densely clustered white, light blue, and orange-gold particles, thinning towards the edges, overlaid with thin, curving lines of light blue and gold. The streak of light from the ray gun ends where it strikes the alien creature. The light from the ray gun does not extend past the head of the alien creature. The scene is detailed and hyperrealistic, with a focus on atmospheric perspective and a vibrant color scheme."

The image to the left also originated from an AI-generated image of an alien "spider creature" that was "re-humanized" by WOMBO Dream.

Figure 10. Blast the insectoid, Whisk version 5.
Next: AI-generated images of humanoid aliens.

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Jul 19, 2020

Space Opera Jones

cover art by Fred Haucke
At the end of last year I mentioned the Raymond Fisher Jones story "Noise Level" that was published in the December 1952 issue of Astounding Science Fiction. In the early 1950s, Jones was making the move towards publishing novels rather than remaining trapped in the pages of science fiction magazines.

Of his two novels published in book format in 1951, only one was a newly published work (The Alien). The other (Renaissance) had been previously published in the form of 4 serial installments in the July, August, September and October 1944 issues of Astounding. I suspect that The Alien was rather hastily constructed (possibly at the request of H. L. Gold) by expanding a shorter story (one that had been rejected by SF magazines such as Galaxy) to book length.

The god of Venus? Interior
art by William Kolliker
As far as I can tell, the first science fiction story published by Jones was called "Test of the Gods" and it was published in the September 1941 Astounding along with Isaac Asimov's famous story "Nightfall". Both "Test of the Gods" and "Nightfall" are built around alien beings on other planets and their religious beliefs.

Natives of Venus and Heaven World
These days, it is not likely that any science fiction story teller would try to write a tale about the religious beliefs of dinosaur-like natives living in the jungles of Venus. However, back in the "Golden Age" of science fiction, many authors tried their hand at a story about life on Venus (for examples, see both this and this).

Chariots of the Gods?
In "Test of the Gods" (which is mercifully short), Jones plays around with the idea that the Venusians would construct for themselves beliefs about a deity that was appropriate for the conditions under which they had to live in the jungle of Venus. At the core of Jones' story is the implicit assumption that "primitive" people, upon being visited by strangers arriving from the sky, would assume that the visitors were gods.

Ancient Aliens
When I first came across this idea in Chariots of the Gods?, I was amused. At the time, I was struggling to understand how people retained their beliefs in absurd ideas that were part of their religious indoctrination.

the Temple of Birth
As a young boy, I was astounded to find myself surrounded by millions of fellow Earthlings who preferred to retain belief in religious doctrine rather than adopt a science-based understanding of the universe. Imagine Jones when he left behind Salt Lake City and went out into the wider world. How did he adapt his religious cultural inheritance to the task of writing science fiction stories? In both The Alien and Renaissance, Jones gives the classic Sci Fi science vs. religion themes some attention.

the War of 1927
Jones was born in 1915. It is hard for me to imagine growing up with your early life having been shaped by relatives going off to fight a war on the other side of the planet and then returning home with fantastic war stories to tell. Jones reached his personal golden age of Sci Fi in 1927 and according to his autobiographical sketches, Jones was strongly influenced by the publication of War of the Worlds in Amazing Stories.

Look at that 1927 magazine cover from Amazing Stories (shown to the right). That is a pretty good visual summary of battle scenes in both The Alien and Renaissance; they are very much a part of the "rockets and ray-guns" tradition. The only questions are: 1) who is blasting who and 2) why?

E. E. Smith; master of intergalactic
adventure. Cover by Jack Gaughan.
Smith and Jones
The descriptions of battle scenes in The Alien and Renaissance could be easily interchanged with each other or other space adventures such as those written by E. E. Smith. Boom!

Having said that, these two novels are not only about blowing things up and someone like myself who does not enjoy military Sci Fi can simply skim through the battle scenes (hint: even as entire planets are reduced to rubble, the hero of the adventure will never be killed).

As much as I enjoy making fun of the Wild West shoot 'em up feel of many early outer space adventure stories, there are some interesting science fiction topics lurking in The Alien and Renaissance. Might there be hidden parts of the universe and might they suddenly be revealed to us? What would happen to human society if telepathy became possible?

a 1963 edition
Evil Aliens
In The Alien, an Evil Alien™ has taken control of the weak-minded masses of Earth. The Evil Alien™ wants to rule the universe, so he deploys a fleet of spaceships manned by his human minions. Once all of the impenetrable force shields and unstoppable ray guns have been deployed and unleashed, the story reads rather like a comic book that jumps from battle to battle in an attempt to hold the short attention span of young boys. As we race towards the thrilling conclusion, nothing need make sense as long as there are plenty of explosions and gee-wiz moments.

How popular was the kind of wild-ride space opera story that Jones wrote? We have data for Renaissance. Astounding editor Campbell tabulated reader responses and we are told that the first installment of Renaissance was ranked #1 among the stories in that issue of the magazine. And it wasn't even close; apparently Renaissance was the unanimous choice for best story.

Data from the Astounding Analytical Laboratory.
The Alien begins with the idea that 500,000 years ago there had been a "5th planet" at the orbital position of the asteroid belt. That planet had its own native life and a species of intelligent natives with written language.

Dang it all! We keep loosing
too many planets that way...
However, during a war, the civilization of the 5th planet had been destroyed. In fact, the entire planet was reduced to rubble. Sadly, astronomers have counted the asteroids and measured their sizes and even determined their composition. Apparently, there was no planet between Mars and Jupiter 500,000 years ago, but I don't hold that against Jones and the The Alien. It would be cool to discover evidence of "ancient aliens" and very cool to actually meet one.

Of course, in the dominant tradition of 20th century science fiction, technologically advanced aliens who have traveled half way across the universe are going to have one goal: to posses all the gold diamonds cute girls of the universe. And....

                                                        ...Don't Ask Why
Evil Aliens™ : they like cute Earth women.
However, for the particular variety of space operatic "cool" that Jones was trying to produce, he needed a telepathic Bad Guy™. So not only do archeologists from Earth find remnants of an alien civilization in the asteroids, they find a living alien inside a super-duper alien space-age sarcophagus.

Why does this re-animated alien blast anyone who gets in his way of galactic domination? Well, you know, that is simply what Evil Aliens™ do.

First book edition by Gnome Press.
Sadly, there are no aliens, evil or otherwise, in Renaissance. The Sci Fi premise is this: while puttering about in his basement, an Earthly scientist invented a way to reach parallel universes. Due to the fact that the planets in these parallel universes have different vibrational frequencies, they exist as if stacked right on top of our universe and it is pretty easy to move from Earth to other planets in the parallel universes. However, the alternate universe planet that is easiest to reach from Earth (Kronweld) is not a paradise.

I think Jones was trying to suggest that Kronweld is a planet locked gravitationally to its star with one side always dark and one side burning under constant illumination. David Kyle seems to have had another idea when he made the Gnome Press cover painting shown to the right on this page.

Radioactive Radiation!
1967 Moewig edition
Jones never let actual science get in the way of telling a rousing Sci Fi adventure. According to Jones, due to the high levels of radioactivity on Kronweld, the residents cannot reproduce (otherwise, they are healthy). However, after being removed from the high-radiation environment of Kronweld for a few years, the residents regain the ability to have children.

You might wonder: why would anyone live on a world where radiation levels are so high that reproduction is impossible? Jones tells us that a thousand years ago there was a devastating series of wars after which the people of Earth turned against science and technology. However, "sorting centers" were created where each newborn baby of Earth is tested. Those newborns with genes that pre-dispose them to anti-social behavior are killed.

Pyramid Books edition
Eugenics
At the same time, the newborns with a genetic endowment that will make them creative and able to carry out scientific research are sent to the parallel alternative-dimensions world of Kronweld where it is their task to develop super-Hi Tek™ atomic technologies and Other Cool Stuff™ that will ultimately allow a scientific elite to take control of the ignorant masses of Earth and turn Earth into a post-scarcity paradise world. Ta-da!

Inside the Birth Temple
However, this "brilliant" plan has gone terribly wrong. Most residents of Kronweld have forgotten about the Birds and the Bees and they now believe that each new baby that arrives on Kronweld after passing through the trans-dimensional gate from Earth is a divine creation of God, being made in a miraculous burst of light.

1975 edition
Renaissance begins with a young Kronweld scientist (Ketan) who has discovered sexual reproduction and the fact that babies come from pregnant women. There is an amusing scene in the story during which the great and grizzled scientists of the Super-High Science Council of Kronweld (who have never seen a pregnant woman) are disgusted by the idea that they each began life by emerging from a woman's vagina rather than a pure and divine burst of light. After the distinguished scientists vomit, they call for the death of the heretical junior scientist.

Before ever being sent through the dimensional gate from Earth to Kronweld, Ketan was implanted with visions of the great Earthly scientist (now long dead) who set up the whole Kronweld project. Through his entire life, Ketan has had occasional mysterious visions of Earth.

the Karildex keyboard
Like a salmon returning to the stream of its birth, Ketan escapes from Kronweld by going through the dimensional gate to Earth in search of answers. He learns that forces have been gathering for centuries that are now ready to obliterate the silly "life is a miracle" rulers of Kronweld society, allowing the enlightened scientists of Kronweld to return to Earth and take their rightful place as the new leaders of Earth. The key technology from Kronweld that will turn Earth into a paradise is the Karildex, a gigantic computer that can collate everyone's wishes and opinions and then print out the optimal choice for every political decision.

Terra Sonderband edition 1959
Alien Life
As a biologist, it is amusing for me to see how Jones tried to explain "the secret of life". The resurrected alien in The Alien has been "living" for 500,000 years as a blob of "pure protoplasm". Under the right stimulation (in The Alien, Jones has a "ray" for every purpose) the alien protoplasm first forms cells then an embryo and then after six months a fully formed alien adult complete with all of its memories from its life of 500,000 years ago. Gee-wiz!

What was the home world of the Evil Alien™ in The Alien? It was not the destroyed 5th planet of our solar system. It was a distant exoplanet that is referred to as Heaven World. After 500,000 years, Heaven World is deserted and has no remaining atmosphere. However, the remnants of that ancient civilization remain on a nearby moon.

Pushy. Telepathy by brain tumor!
Telepathic Tumors!
We discover that not only are the aliens from Heaven World telepathic, but by transplanting their organ of telepathy into a human (our hero, Ketan), he can also have telepathic powers. Thus equipped, Ketan defeats the Evil Alien™ and even gets the girl (sorry, Renaissance takes place in the 1940s no sex zone, so don't expect any steamy romance).

In an extra-weird fictional biology twist, readers learn (Gee Wiz!) that the alien organs of telepathy are a type of cancerous growth that is grafted into the bodies of the aliens when they are children.

Hollywood Jones
Jones suggests to his readers that in the future, humans will learn to stop fighting brain cancer and make use of it to develop telepathic powers! That was a silly idea in the 1940s, but it was still used in The X-Files during the 1990s.

Related Reading: 1) a review of The Alien at
                                the MPorcius Fiction Log
2) Asimov's Stephen Byerley stories                  
3) "Dodkin's Job" by Jack Vance
4) "Kitsunegari", X-Files episode
5) My own story with a link between cancer and telepathy.

Next: Retro-SIHA 2020

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