New cover from old. Original cover art by Edmund Emshwiller (1955), Earle Bergey (1950) and see this. |
The Man Who Evolved |
We are Devo: the evolution of myth through time |
It is fun to imagine the influence that such stories had on the young Isaac Asimov.
Related reading: "Cosmic Quest"
See also: "The Man Who Evolved"
and "Ten Million Years Ahead"
Future man! |
Lucky for Ross and the entire hapless human species, the cosmic ray projector has two modes, one of which can magically de-evolve an organism. This becomes important, because Ross soon discovers that our human descendants of a million years in our future will be telepathic supermen, able to exert hypnotic mind control.
In the Ekcolir Reality. Original cover art by Howard V. Brown and Lawrence Stevens and see this. |
Audacity
In 1936, Max Delbrück published a note in Nature about the role of cosmic rays in causing mutations. In 1937, experiments were reported concerning mutations in fruit flies caused by cosmic rays. As early as 1934 it had been suggested that cosmic rays are mostly atomic nuclei from exploding stars.
interior art by Frank Paul |
I marvel at the audacity of Hamilton to imagine a machine that could bombard a human being with cosmic rays, first driving the person to evolve at an accelerated rate and then, upon bombardment with a second type of cosmic ray (antimatter?) de-evolve back to their original form. A biologist never would have suggested such a thing since most mutations are damaging. Evolution requires mutation AND selection. Hamilton certainly did not care that his story was scientific nonsense, nor did his readers.
"Evolution" by Julia Boynton Green in the August 1931 issue of Amazing Stories |
Big brains, like cosmic rays were "in the air". |
In the 1930s, bigger was better. For the Exode Saga, I have the luxury of imaging "small brains" and the transmission of telepathic signals by means of imaginary hierions.
Next: The Moon Woman
visit the Gallery of Book and Magazine Covers |
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